News, reviews, thoughts, career advice, and
humor for professional Video / Film
Colorists & Finishers. Delivered Sundays.
Curated by a professional color grader and
the CEO of MixingLight.com.
One quick heads-up to active Mixing Light
members…
I’m in Stage 2 of the website
optimization process, focusing on making ML faster for
logged-in members. Using intelligent caching, I’ve
removed 30+ database calls per page view – and more
optimizations are coming. Hopefully, you’ll start
noticing as these start adding up.
Let me know if
you find anything unusual about how the website works!
I’m in bug-squashing mode. I haven’t seen any recently,
but I’d appreciate a quick email if you do. Hit me via
the Contact Us page or reply to any of these Newsletter
emails.
Now – let’s get to why you’re reading
this!
Enjoy the Newsletter!
I’ll see you next Sunday.
Happy Grading!
Sincerely,
Pat
Inhofer Chief Photon Wrangler,
Publisher MixingLight.com
PS
– If you find an item you think should be in this
newsletter, email me a
quick note.
Featuring the work of creative craftsmen, the
theory of color, and industry news. Learn practical
workflows, useful theories, and actionable insights
from existing (and emerging) leaders and teachers in
our industry.
FutureWorks senior colorist Tushar
Desai, “While many period films rely on
warm, sepia-heavy palettes to evoke a
sense of the past, for this film the
team opted for a more restrained and
grounded aesthetic. “The goal was not to
stylize history but to inhabit it,”
explains Desai. “Cooler, desaturated
tones were used selectively to convey
the emotional weight of key scenes, with
natural skin tones and environments kept
front and center throughout.”
(podcast) “Mike Seymour is joined as
always by Jason Diamond and Matt Wallin
to unpack the visual effects tour de
force that is Superman (2025), a film
that reinvents the Man of Steel through
an ambitious mix of lighthearted
storytelling and full-throttle VFX
action spectacle.”
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The Spatial Edition - Sunday Morning Color Grading Newsletter
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