News, reviews, thoughts, career advice, and
humor for professional Video / Film
Colorists & Finishers. Delivered Sundays.
Curated by a professional color grader and
the CEO of MixingLight.com.
The Newsletter didn’t ship last
week as I was in the depths of working on the
backend of Mixing Light.
(I’ve been
upgrading the speed of the website)
What I
thought would be a 3-5 day project became a 10-day
Exodus of 16-hour days. I finished up, late Friday
night.
In the past 10 days I learned how
to:
– Use GitHub as code base revision
service.
– Set up a development server, SSH into
it, and connect it to GitHub, using Visual Studio
Code.
– Extensively modify Mixing Light’s PHP and
CSS code to control the file load order.
–
Localize 3rd party references (particularly fonts), to
speed up the website while reducing its
payload.
– Use myPHP to run SQL searches of the
Wordpress database and identify every icon used on every
page and tutorial (with the goal of reducing the font
payload by over 98% – this one is
in-progress)
And I did all of this with a
Machine Learning assistant.
Well, technically, I used two coding assistants. I
started with Grok.com. It was amazing until the whole
thing fell apart and I had to start over. Grok taught me
the amazingness of the revolution, and how not
to use an ‘AI Assistant’.
Then I switched to
Claude.ai. It was just… brilliant.
I think I
successfully used Claude (accomplishing in 12 hours what
I couldn’t accomplish in 112 hours with Grok) because I
fundamentally changed my relationship to my Machine
Assistant.
And I think we will all have
to learn how to approach our Machine
Assistants.
The ‘AI’ will have you
believe they are the expert. And in some respects,
that’s 100% true. I hit all my Project performance goals
in 12 hours with Claude – without knowing how to write a
single line of PHP or write one SQL
statement.
But that was only possible when I
realized that we (the humans) are the experts in
defining our goals. We need to be the experts in keeping
the ‘AI’ from barreling into its favorite wormhole – and
we do that by following our instincts and
intuition.
This lesson will 100% apply to
color grading, VFX, mixing, or any other creative
craft.
Buckle up. After the last 10
days, I believe we are in for a heck of a ride! I’m
bullish, but not rosy-eyed. We are all going to have to
stick together to shorten the learning curve and stay
ahead of our clients.
I’ll see you next Sunday.
Happy Grading!
Sincerely,
Pat
Inhofer Chief Photon Wrangler,
Publisher MixingLight.com
PS
– If you find an item you think should be in this
newsletter, email me a
quick note.
Featuring the work of creative craftsmen, the
theory of color, and industry news. Learn practical
workflows, useful theories, and actionable insights
from existing (and emerging) leaders and teachers in
our industry.
“IWe are doing a series of test projects
exploring how to create Apple Immersive
Video (AIV) and Apple Spatial Audio
(ASA) on Apple Vision Pro. This is made
possible because we are filming with the
first camera on the market, the
Blackmagic URSA Cine Immersive camera
… you can also download the first-ever
URSA Cine Immersive files ready for you
to play back directly in the Vision
Pro.”
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The Manual Overload Edition - Sunday Morning Color Grading Newsletter
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