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(video) This series revived my hope for
Apple Original series – and the title
sequence is one of my favorites. The VFX
completely supports the narrative and
they should all be proud of their work:
“DNEG VFX Supervisor Jelmer Boskma offers
a comprehensive behind-the-scenes look
at the visual effects for Murderbot
Season 1, emphasizing the importance of
early previs and techvis in shaping key
action sequences, most notably the
dramatic “Worm Attack” in Episode 1. He
explains how previs, creature design,
and environmental planning worked in
tandem to support both storytelling and
technical execution, allowing for better
stunt planning and photoreal CG
integration.” There’s an embedded VFX
breakdown video, as well.
“When it came time to do final color in
Resolve, Ferstl really had two “film
look” nodes in play. The show LUT
functioned as the output LUT, shaping
the overall curve as described above. A
second node earlier in the node tree was
where Ferstl did his work within the
Film Look Creator plugin, really dialing
in selected attributes and artifacts of
negative and positive film stocks in a
unique way specific to the requirements
of the world Lehane created.”
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The Murderbot Edition: Weekly Sunday Morning Color Grading Newsletter
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