The Halide Layer Edition – Sunday Color Grading Newsletter

October 19, 2025

This week: Simulating grain, cinema show-stoppers, grading to the room, QT Gamma Shift Fix #483, ColourSpace pricing, 4000 nits, and more...


Series
Issue DCXXXI: The Halide Layer Edition

The Color Grading Newsletter

News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sundays. Curated by a professional color grader and the CEO of MixingLight.com.
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Sunday, 19 October 2025

Current Web Archives
2010 – 2023 Web Archives
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Curated & Published
by
Patrick Inhofer
From The Publisher
Enjoy this week’s Newsletter!

I’ll see you next Sunday and…

Happy Grading!

Sincerely,

Pat Inhofer
Chief Photon Wrangler, Publisher
MixingLight.com

PS – If you find an item you think should be in this newsletter, email me a quick note.

PPS – As a Newsletter subscriber, comment on this article at Mixing Light (login required).

The Craft
Featuring the work of creative craftsmen, the theory of color, and industry news. Learn practical workflows, useful theories, and actionable insights from existing (and emerging) leaders and teachers in our industry.
Registration Required, London, 22 October, 6 pm – “​Join FilmLight and Cooke Optics for an exclusive evening celebrating the art of colour as we unveil this year’s FilmLight Colour Award nominations. 

​Be among the first to hear the official announcement across all award categories, joined by fellow colourists, cinematographers and industry peers. A perfect opportunity to reconnect, celebrate and enjoy a drink together.”
(video) Sony does a nice job with these BTS breakdowns, including an embedded video, “Milos tells of how the general look of the show became known as the “Eliza look” named after the stories main character. This look was established when the first season was shot and has been used throughout all 5 seasons. The look uses orange and blue tones – for night scenes, blue is used to represent moonlight while orange represents the light from the street lights which, in Victorian times, would have been gas light.”
(video) This is both an article and an embedded video about silver halide crystals, from the perspective of a synthetic video researcher: “There are three core characteristics at play in the history of film emulsions – light sensitivity (ISO/ASA values); color gamut; and film grain size and behavior. These are related facets, in many ways.” (via Marc Wielage)

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