How To Work With Arri Alexa LUTs, Part 1: In Action

Day 19: 20 Insights in 20 Days Holiday Marathon If you haven’t watched it, I’ve done an extensive series on LUTs, here on MixingLight.com. Consider this Insight Series a follow-on…

Color Correcting A Film Trailer: Simple Compositing (in DaVinci Resolve)

Day 18: 20 Insights in 20 Days Holiday Marathon Simple Compositing DaVinci Resolve At some point in every colorists life you will get the dredded request from the client “can…

Basic Visual Effects & Online Editing in DaVinci Resolve 10

Day 16: 20 Insights in 20 Days Holiday Marathon Basic VFX / Online Editing in DaVinci Resolve 10 In a world of ever closer deadlines and tighter and tighter budgets,…

How To Use the RGB Mixer To Remove The Arri Alexa Film Matrix

Day 15: 20 Insights in 20 Days Holiday Marathon Using The RGB Mixer To Remove The Arri Alexa Film Matrix These days, at least 60% of the broadcast, political and…

Color Correcting A Film Trailer: Sony FS700 Footage

Day 13: 20 Insights in 20 Days Holiday Marathon Fake Film Trailer: Part 3 In this series I’m exploring finishing a fake film trailer in DaVinci Resolve 10. In Parts…

How To Use The Premiere Pro Title Tool To Color Correct with Shapes

Day 12: 20 Insights in 20 Days Holiday Marathon How to Color Correct Using the Premiere Pro Title Tool I’m a big fan of Adobe Premiere Pro, I’ve been using…

Color Correcting A Fake Film Trailer: Grading RED Dragon Footage

Day 11: 20 Insights in 20 Days Holiday Marathon Fake Film Trailer: Part 2 Working with new cameras is always fun and can sometimes be quite difficult. In Part 2…

Color Correction Time Management: Grading in Passes

Day 10: 20 Insights in 20 Days Holiday Marathon Color Correction Time Management: Grading in Passes How in the world does a colorist manage to color correct 1200 shots in…

Video Noise Reduction in DaVinci Resolve: The Neat Video OFX Plug-In

Day 9: 20 Insights in 20 Days Holiday Marathon Dealing with Video Noise Reduction In Resolve: Neat Video In Part 1 we explored Davinci Resolve 10’s built in video noise…

Video Noise Reduction In DaVinci Resolve: The Built-In Toolset

Day 8: 20 Insights in 20 Days Holiday Marathon Video Noise Reduction In Resolve 10, Part 1: Built In Toolset Video noise? Yeah I hate it too! It’s a fact…

How To Create a Dream Sequence Look: ‘Heavenly Whites’

Day 7: 20 Insights in 20 Days Holiday Marathon Breaking Down a Dream Sequence Look: ‘Heavenly Whites’ Not a month goes by that a client doesn’t request I create a…

Adding Tension by Animating Power Windows: The Spaceship Sequence

Day 6: 20 Insights in 20 Days Holiday Marathon Adding Tension by Animating Power Windows Lets dig deeper in our fake film trailer! We’re going to start building the mood of…

Is Working For Free A No No? (Or Can It Be Good For You?)

Day 5: 20 Insights in 20 Days Holiday Marathon Is working for free a big mistake? It’s a fact. An undeniable truth of our industry – if you work in…

How to Prepare A Film Trailer For Color Correction

Day 3: 20 Insights in 20 Days Holiday Marathon Prepping a Film Trailer for Color Correction As I kick off this series of color correction tutorials – featuring the newest…

FilmConvert Review: In Action to Color Correct RED Footage

Day 2: 20 Insights in 20 Days Holiday Marathon In Part 1, we explored the various sliders and pull-downs of this plug-in – as well as downloading the various Camera…

An Introduction to the OpenFX Film Convert Plug-In: Part 1

Day 1: 20 Insights in 20 Days Holiday Marathon Overview of OpenFX Film Convert Plug In This Insight features a new concept for DaVinci Resolve colorists . . . plug-ins….

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