Maybe you've heard of blockchain? Learn how this new technology is going to impact the post production industry (and what's holding it back).
Dan wraps up his behind the curtain series with a watch through and matching pass on the whole video to make sure it flows as a whole film
Take an introductory look at the Color Decision List (CDL) and learn about the strengths and weaknesses of an ASC-CDL based workflow.
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
A successful commercials colorist color grades dailies. He shares his challenges, mistakes, and how it's different than commercials.
Dan shares the reasoning behind his new showreel and also gives some tips on when and where to share it for maximum views
Creativity makes us human. What is the place of AI in this area? If computers become too human, will we become just machines?
In Part 1 you learned how to build a Fixed Node Structure in Resolve's node tree when color grading. Now learn its huge time-saving benefits.
Dan shares his story from a recent "not so near-Sset grade" for an upcoming collaboration with friends on a short film.
In this installment of From The Mailbag, we take a look at trends and thoughts about 2018 and discuss what 2019 will hold for colorists.
My list of ket software utilities for post production professionals may help you a solve annoying (or critical) problems. For Mac & Windows.
Lumetri color correction in Premiere Pro 2019 has changed dramatically: What is new? Is it improved? And how useful is it?
Learn how to deconstruct a pre-built Fusion animation that ships with DaVinci Resolve. After studying one, we revise our animation to match.
Building out node trees on the DaVinci Resolve Color page can be a messy affair. And haphazard. Learn how to develop a personalized node tree.
In this installment of Color Correction Gear Head we look at new GPUs, storage, GUI monitoring and HDMI routing and more!
Dan is back in part three of his unfiltered look at a recent grade. In this part we take a look at matching the externals in this 16mm style
These 'don't miss' color grading related articles and videos are culled from 2018's 4th quarter of the weekly curated Tao Colorist Newsletter.
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