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Paul Harrison: Winning Awards on both sides of the Atlantic
Season 1 of The Color Timer Podcast wraps: We chat with Paul Harrison, a colorist renowned for his award-winning short-form work and films.
Getting Started With Blackmagic Cloud Storage in DaVinci Resolve
Learn how to set up and share project media with collaborators in DaVinci Resolve with Blackmagic Cloud Storage and the BMD Camera App.
What's The Role of VFX Colorist? With Christian Ganea Reitmeier
What does a VFX Colorist do? Christian Ganea shares his views and workflows on some of Hollywood's biggest movies & shows at DNEG.
Filmmaker Michael Henry - Being color blind in a visual industry
The Color Timer learns to turn a limited visual color palette into creative strength with professional insights from a color-blind filmmaker.
How To Actively Manage Your Post Production Career
Mixing Light contributors answer questions on practical ways to handle career choices, find enjoyable work and take side steps to get ahead.
15 minutes with Color Scientist Matthew Tomlinson
The Color Timer podcast discovers what a color scientist actually does, why they are a colorist's best friend and how to shepherd a show look.
Office Hours - NAB 2023, Sony HX-3110, Resolve 18.5, Virtual Sets
Team Mixing Light discusses Sony's prototype 4,000nit display, Resolve 18.5 Beta new features, and colorist opportunities on Virtual Sets.
A Conversation With Senior Colourist Vincent Taylor CSI
We're happy to introduce our newest Contributor, colorist Kali Bateman. She's relaunching our interview series. Starting with Vincent Taylor.
Deep Dive: DaVinci Resolve Cloud Remote Collaboration
In Part 2 of our series, learn the many features (and tips/trick) of Davinci Resolve 18's cloud-based Collaborative Workflow
Delivery Tips for Remote Sessions and DaVinci Resolve Trainers
When it’s time to share your Resolve User Interface with a remote client or classroom, a few simple tips and optimizations can win the day!
Intro to Resolve's Collaborative Workflow - LucidLink and Proxies
Get started with DaVinci Resolve 18's Cloud-based Collaboration workflow. In Part 1, begin sharing media and projects with a remote team.
Remote Media Sharing & Collaboration - Featuring Hedge's Postlab
Mixing Light Contributors talk with Hedge.video's Isaac Terronez about affordable remote collaboration using Postlab and Postlab Drive.
Using Parsec and VirtualHere For Remote, Secure Color Grading Sessions
Learn how to control a remote DaVinci Resolve workstation using Parsec with VirtualHere to virtualize locally-attached USB devices.
Elsewhere On The Web: Netflix Recommended Displays (and more)
This series returns with stories on Netflix recommended displays; being a better colorist; color harmonies; and note-taking.
Color Grading An Animated Short Film - Part 1
Colorist Patrick Inhofer shares a behind-the-scenes look at color grading an animated short film - and how it differs from live action.
Mailbag LIVE! About That ACES Workflow??
Today's Agenda: Is it just me or does the ACES color management system feel like it's limiting my creative choices?
Webinar: End Titles Made Easy Using Endcrawl.com
Learn how to painlessly create end titles, how they can go wrong, and the new Endcrawl.com interface allowing for custom looks and layouts.
A Mixing Light Special Report: Resolve 17 Announcement
Blackmagic Design just announced Resolve 17. We jump on a call to discuss the release, its timing, new features, and our initial thoughts.
Resolve Remote Workflow: Hawaii To LA & Back
In this From The Mailbag we revisit some key aspects of a Resolve remote workflow as we try to answer questions from a member on the same subject.
What Project Type Should I Use to Edit and Color Correct in Premiere Pro?
Did you know Premiere Pro CC 2019 has three project types? Standard, Shared, and Team. How do you choose & what are their differences?
Beyond Crypto-Kitties - Blockchain technology in post production
Maybe you've heard of blockchain? Learn how this new technology is going to impact the post production industry (and what's holding it back).
An Overview (And Tips) On Using The DaVinci Resolve Project Server App
Designed for sharing database on several computers in DaVinci Resolve, learn how the Resolve Project Server App simplifies your life.
How To (Improperly) Export LUTs in DaVinci Resolve 15
Learn the 'rules' when exporting LUTs in DaVinci Resolve 15. You also learn how to break a LUT to understand the problems with many LUTs.
Colorist Podcast Episode 18: Patrick Woodard
In this installment, Josh talks to Digital Film Tree lead colorist Patrick Woodard about color correcting high-end TV, remote sessions, ACES and more!
Color Correction Gear Head: November 2017 Edition
In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting
Client Communication: A Short Primer For Young Colorists
The hardest part about color correction is not learning new software or pushing buttons but communication with clients. Learn more in this Insight.
Our New DaVinci Resolve14 Traning & Revisiting Remote Rendering
The Team discusses our new Resolve 14 New Features title as well as DaVinci Resolve Remote Rendering with guest Joey D'Anna.
Getting To Know The Resolve 14 Collaborative Workflow Part 2
In this Insight, we put Part 1 into action and explore the powerful workflows possible with Resolve 14 collaborative workflows.
Getting To Know The Resolve 14 Collaborative Workflow: Part 1
Among Resolve 14's great new features, the redesigned collaborative workflow stands out. In this Insight, learn the essentials of Resolve collaboration.
Creating A Shared DaVinci Resolve Database Server
In this updated Insight learn what gear you'll need and how to properly setup a shared database in DaVInci Resolve.
How to Set Up a Legacy DaVinci Resolve Shared Database
Learn how to set up a DaVinci Resolve shared database in this step-by-step tutorial using the Command-Line interface.