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Alternate Uses For Shared Nodes in DaVinci Resolve
Learn how to unlock the utility of Shared Nodes by minimizing the need to switch between the clip-level and timeline-level node graphs.
Automatic Naming Using Metadata Variables in DaVinci Resolve
Luke Ross explores DaVinci Resolve's 'Metadata Variables'. Learn how to generate still, burn-in, and render setting names - automagically.
Color Grading 101 - Defeating the Tyranny Of The First Move
Is color grading mystifying because you have trouble getting similar results as the pros? Reboot your confidence with this new series.
Accelerated Workflows with Resolve’s Remote And Local Grades
Learn how to speed up your color grading workflow using DaVinci Resolve's under-utilized Local and Remote Grades functionality.
What's The Role of VFX Colorist? With Christian Ganea Reitmeier
What does a VFX Colorist do? Christian Ganea shares his views and workflows on some of Hollywood's biggest movies & shows at DNEG.
Do You Need Free, Fast, & Accurate Transcription? MacWhisper.
Do you need free, accurate, and quick audio transcription for captions, paper edits, or documentary scripting? Learn to use MacWhisper!
Film Print Emulation: Dehancer Pro v7 Review - Part 2
In our Dehancer Pro v7 Part 2 review, colorist Peder Morgenthaler digs into its 'dehancing' tools: Grain, Halation, Bloom, Weave, and more.
15 minutes with Color Scientist Matthew Tomlinson
The Color Timer podcast discovers what a color scientist actually does, why they are a colorist's best friend and how to shepherd a show look.
Tips for matching an imported timeline in DaVinci Resolve
Get tips for solving common - but challenging - mistakes when conforming an offline reference, including eye-matching variable speed changes.
Ideas For Using The Resolve 18.5 Relight Effect
Joey D'Anna shows how to integrate the Relight ResolveFX plugin into fixed node trees to maximize its usefulness, capability, and performance.
Part 2 - Color Grading and Finishing 'Avatar: The Way of Water'
In Part 2 we dive into Tashi's color management pipeline, Resolve project setup, and the kind of color work he did on this VFX-heavy film.
Color Grading 'Avatar: The Way of Water' With Colorist Tashi Trieu
Get a detailed look at Colorist Tashi Trieu's work color grading 'Avatar: The Way of Water'. His background, gear, workflow & deliverables.
5 Ways To Start Editing A Scene - And Then Finish Strong
Editor Jonny Elwyn shares five tested methods for starting from a blank timeline, even with overwhelming footage, while keeping things tight.
Deep Dive: DaVinci Resolve Cloud Remote Collaboration
In Part 2 of our series, learn the many features (and tips/trick) of Davinci Resolve 18's cloud-based Collaborative Workflow
What Type of Dailies Is Right For Your Production?
Creating dailies seems simple - but professionals break them down into several varietals. In this Insight, you'll learn the key differences!
How To Manage Versions for VFX & Graphics in DaVinci Resolve
If you have many graphics or visual effects shots that might be replaced at the last minute, learn the value of Resolve's 'Take Selector'.
Advanced Optical Flow Techniques For Image Repair
Learn to use optical flow for more than speed changes. In this Insight, fix a corrupt frame and repair archival footage pull-down artifacts.
Intro to Resolve's Collaborative Workflow - LucidLink and Proxies
Get started with DaVinci Resolve 18's Cloud-based Collaboration workflow. In Part 1, begin sharing media and projects with a remote team.
Remote Media Sharing & Collaboration - Featuring Hedge's Postlab
Mixing Light Contributors talk with Hedge.video's Isaac Terronez about affordable remote collaboration using Postlab and Postlab Drive.
Managing Timelines For Efficient Grading Operations In Baselight
In Baselight Student, learn how to copy and paste grades to shots & scenes, including the ‘intelligent paste’ & using the Playback Filter.
Using Compound Clips For Dolby Vision Revisions & IMF Delivery
Learn an advanced compound timeline use-case for Dolby Vision deliverables - without ever rendering & replacing the original HDR timeline.
An Introduction To Versioning Efficiently Using Compound Timelines
Use compound timelines in DaVinci Resolve for speed and efficiency when managing separate versions of timelines and multiple creative teams.
Using Parsec and VirtualHere For Remote, Secure Color Grading Sessions
Learn how to control a remote DaVinci Resolve workstation using Parsec with VirtualHere to virtualize locally-attached USB devices.
Moving timelines into DaVinci Resolve Using EDLs - More Tips and Tricks
50 years later, the simple EDL is still useful for sharing timelines! Get more tips and tricks on integrating EDLs in colour managed projects.
Color Management For Preconformed Workflows With EDL Clip Names
Using Resolve's Edit Index and EDL comments, you can prepare a preconformed timeline for color management much easier than you think.
Joey’s Custom Workshop - Two Useful Scripts And A Fusion Effect
Colorist Joey D’Anna shares with you new custom tools for batch rendering, automatic backups, and a 3D motion control template.
Behind The Curtain - Building a HDR Ready Show Look
In this Insight Dan (well known for his gritty looks) tries to bring a bit of that style to a cleaner, HDR ready show look created in Baselight
Custom ACES: SDR To HDR - Part 1
In this Insight, Colorist Joey D’Anna shows you how to move an SDR grade into HDR using a Custom ACES fixed node structure.
Color Page Tools You Might Have Forgotten About Or Didn't Know
In an application as deep as Resolve its easy to forget about a feature or not even know one was there! In this Insight, Robbie Carman explores some of these
Coloring Reality: How To Color Grade 1700 Shots In Two Days
Coloring Reality TV can be a huge undertaking. However, if you organize and prepare, you'll deliver a high-quality show on time.
The Key Panel: A Basic Tool That Does More Than You Think
In this Insight, Joey D'Anna shows you the 3 different toolsets inside the DaVinci Resolve Key Panel, and how they change for different nodes.
Joey’s Custom Workshop - Fusion Templates
In his latest Custom Workshop, Colorist Joey D'Anna gives you 3 useful custom Fusion templates for use on DaVinci Resolve's edit page
Using A Blackmagic Color Panel Remotely - Resolve 17 Solves A Problem
Learn how to use Resolve 17's new remote panel capabilities for remote color grading that is secure, interactive, and color accurate.
Better Streaming Sessions Part 2: Macros and Stream Decks
In Part 2 of his series, Joey shows you how to take remote color sessions to the next level by adding macros & remote control to your ATEM switcher setup
Diving Deeper Into The Colourlab AI Ecosystem - Part 2
In part two of this series, we explore fixed node structure workflows with ColourLab AI as well as two OFX plugins that are a part of the ColourLab AI ecosystem.
Creating Reusable Custom Transition Presets In Fusion
Learn to use DaVinci Resolve's Fusion page to build custom, reusable transitions to work inside a node based ACES pipeline.
Computer-Assisted Shot Matching with Colourlab AI - Part 1
In Part 1 of a new series, Jason Bowdach shows you how to get projects to ColourLab AI and how to build a match across a scene using this powerful tool.
Good Grades: Color Grading at NFL Films with Chris Pepperman
In this installment of Good Grades we sit down with Sr. Managing Colorist at NFL Films, Chris Pepperman.
Getting Up To Speed On Resolve 17's New Proxy Workflow
Get up to speed on Resolve 17's new proxy workflow for lightning fast editing and grading performance when working remotely.
Color Warper 101 Part 3: Creating Looks (Plus A Grading Challenge)
In the finale of the series, colorist Peder Morgenthaler puts what we've learned into action creative 3 looks with the Color Warper.
Look Development Part 3: Sweetening The Color Palette
In the last installment of his series on the essentials of look development, Cullen Kelly guides you through the concept of preferential color mapping.
Color Warper 101 Part 2: Managing Points & Pins + Chroma-Luma Panel
In part 2 of his series, Peder Morgenthaler dives deeper into the controls in DaVinci Resolve's Color Warper.
Color Management The 'Right' Way?
In this episode, we discuss if project-wide or more custom approaches to color management are the 'right' way to do things.
Look Development Part 2: Dialing In The Contrast Curve
In Part 2 of his series, Cullen Kelly takes a look at dialing in the contrast curve for a look with the new HDR Zone tool in Davinci Resolve 17.
How To Set Up and Deliver Dolby ATMOS in Resolve 17
In this Insight, learn how to setup, monitor, edit and deliver Dolby Atmos immersive audio in DaVinci Resolve 17
A Beginners Journey Using Instagram For Marketing & Brand Awareness
In this Insight follow Robbie's start into using Instagram for marketing, sales & brand awareness of his color correction buisness.
Custom ACES Part 4: Updating For Resolve 17
Watch colorist Joey D'Anna update his custom ACES workflow to better use the new HDR tool in Resolve 17, and use DaVinci Wide Gamut colorspace
Good Grades: Talking Color & Suite Design With Shawn King
We welcome new contributor Jason Druss to Team Mixing Light as he kicks off his new 'Good Grades' series talking to top colorists. First up Shawn King
Getting To Know SetStream.io: A Chat With Thatcher Kelley
SetStream.io is a powerful new remote streaming tool. In this Insight, we sit down to chat with Thatcher Kelley to learn more about SetStream.io
Look Development: Part 1
Learn how to establish good color management and clear definitions for your look development workflow.
Help Matching These Shots, Please!
A member asked for some advice on matching two shots that had distinctly different looks. In this Mailbag, we discuss strategies for matching these shots.
The DaVinci Resolve Speed Editor On The Color, Edit, And Cut Pages
The new DaVinci Resolve Speed Editor is a fantastic controller. Learn how to use it for color grading, online editing and multicam workflows,
Webinar: End Titles Made Easy Using Endcrawl.com
Learn how to painlessly create end titles, how they can go wrong, and the new Endcrawl.com interface allowing for custom looks and layouts.
Resolve 17 Big Little Features Part 2 – The Edit Page
Small features can make a huge difference to your workflow! Learn new edit page features to speed up and improve your workflow in Resolve 17.
Color Correction Gear Head: The Stocking Stuffer Edition (November 2020)
With the holidays nearly upon us, in this installment of Color Correction Gear head discover several 'stocking stuffer' pieces of gear to add to your list!
Resolve 17: First Impressions And Favorite Features
Resolve 17 Public Beta is here and it is a huge release! Colorist Joey D'Anna points you to his favorite new features, updates, improvements.
Mailbag Live & Revisiting Why Does It Look Different On Export?
Team Mixing Light announces an upcoming new website feature & the Team revisits the issue of exports looking 'wrong'.
Advanced Avid Round-tripping: Relinking Resolve Renders In Avid Without Losing Avid Effects
Learn an advanced workflow for round-tripping between Avid and Resolve, while maintaining effects and online work done inside Avid.
Moving Bits and Bytes - Facility Networking Made Easier
Learn to use VLANs, link aggregation and more to manage high performance networks for post production, using Ubiquiti products.
Node Tree Compositing: Building A Green Screen Shot In One Node Tree
In this Insight, Joey D'Anna shows you how he uses the DaVinci Resolve color page node tree to build great looking green screen composites.
Working With Reference Images Part 3: Building The Look
Cullen shows how to put the analysis of reference images + analysis of shots on the timeline together to create a cohesive, matching look.
Combining Group Grades With Shared Nodes While Avoiding The Pitfalls
In Part 2 of this advanced workflow series, learn how you can use Shared Nodes inside Group Grades for quick & easy revisions down the road.
Combining Shared Nodes and Group Grades in DaVinci Resolve
Applying the one color grade to multiple shots is easier with Resolve's Groups or with Shared nodes. Learn how to combine the two approaches.
Better Blurring In Davinci Resolve: Part 1
In this Insight, Joey D'Anna shows you how to take simple blurs to the next level on the DaVinci Resolve Color Page
Working With Reference Images: Part 1
In part 1 of a new series, learn the essentials of how to interpret and read references for contrast, tonality, and other key factors.
Advanced Keyframe Editing in Fusion
Learn powerful keyframe editing techniques in DaVinci Resolve's Fusion page, using the built-in spline and keyframe editors.
ACES 201 - Node-based Grading, Sharing Looks to On-Set and VFX
In this webinar, learn an alternative approach to color grading ACES projects in DaVinci Resolve plus collaborating with others in ACES.
The 10-Minute Grade: Shot Balancing
In this installment of The 10-Minute Grade, Cullen Kelly walks you thru a few different techniques to quickly get shots balanced when time is of the essence
Color & Finishing In A Global Pandemic
In this From The Mailbag, we discuss the current and the possible future of work from home & remote workflows + concerns that we might not be consindering.
Baselight Start to Finish – Project Creation & Conform
Everything you need to know from project creation to starting your grade including, colour management, project management & Scene Detection
Custom ACES Part 2: Grading Custom ACES With Fixed Node Structures
Learn how to build a powerful fixed node structure in DaVinci Resolve to work within a valid ACES pipeline, without normal limitations.
The 10-Minute Grade: Global Contrast
In the first installment of a new series, Cullen Kelly shares his strategies for quickly getting a grade on its feet by creating global contrast
HDR Essentials: Vocabulary & Workflow Webinar
In this Mixing Light Webinar replay, join Mixing Light co-founder Robbie Carman as he explores HDR essentials, including vocabuarly & workflow
Three Strategies for Increasing Color Separation in DaVinci Resolve
Do your images need to look more colorful? In this Insight, learn 3 color separation tools for increasing perceptual colorfulness.
Take A Deep Dive Into Premiere's New Production Workflow
Premiere Pro's new Productions workflow is a massive boost to Premiere's capabilities and reliability. Forged by Hollywood, see how it works.
Revisiting Streambox Realtime Sessions - Part 1
In the remote, work from home reality that find ourselves in, how can you deliver color accurate real-time streams to clients? Learn how in this Insight.
Resolve Remote Workflow: Hawaii To LA & Back
In this From The Mailbag we revisit some key aspects of a Resolve remote workflow as we try to answer questions from a member on the same subject.
Taking A Look At Screen - A Modern Video Player For The Mac
In this Insight Robbie takes a look Screen and affordable, color managed video player for the Mac from Video Village.
Integrating Resolve's 'CST' Plugin with Fixed Node Trees
Learn how a pro colorist is integrating the Resolve 'color space transform' plugin into his fixed node tree to get better results, faster.
Revisiting Noise Reduction Part 2 - Digging Into Neat Video 5
Neat Video 5.1 is a powerful complement to DaVinci Resolve Studio's native noise reduction toolset. Get a close-uo look at Neat's workflow.
Revisiting RCM, ACES & CST Workflow
In this installment of From The Mailbag, a member's question about using the CST OFX within a color-managed project got us into revisiting these workflows
The Color Mangled Workflow: Modifying Look-Up Tables For Better Results
Do you struggle getting a good starting point while using Look-Up Tables (LUTs)? This idea may make things easier (in Davinci Resolve).
Color Grading In Spectachrome Part 2 - Working With The Fuji XT-3
Working with new cameras is always a challenge. Get an inside look at what Dan does when working with the Fuji XT-3 camera
Color Correction Gear Head: January 2020 Edition
In this installment of Color Correction Gear Head, Robbie shares some essential items that went into the building of his new facility.
Color Grading 'Origins' In Baselight - Project Overview
In this new series, Dan's grading the short film 'Origins' (using Baselight). It's got VFX, ACES, multiple deliverables (and light sabers).
Inside Pat's Color Grading Head - The Evolution of His Fixed Node Tree
Learn the benefits of a 'fixed node tree' in DaVinci Resolve. Get a look inside one colorist's node tree - and how it evolved over time.
Emulating Film Halation in DaVinci Resolve
Learn two different methods (with different levels of control) of emualting the beauty of film halation using DaVinci Resolve.
Looking Back On The Past Decade & Forward To The Next One
In this episode, we discuss the past decade and speculate on the next 10 years in the world of color grading.
Is the Disney + Series 'The Mandalorian' Fake HDR?
In this installment of From The Mailbag, we tackle a hot topic from the world of color grading this past week - is there such as thing as FAKE HDR?
Creating Supplemental IMF Packages in DaVinci Resolve
What is an IMF package? How doyou use DaVinci Resolve to create supplemental IMFs for delivering fixes and alternate versions?
What's Up With Supplemental IMFs?
In this installment of From the MailBag, we're once again joined by Mixing Light contributor Joey D'Anna who gives us the skinny on supplemental IMF packages for delivery to broadcasters and OTT providers.
How to Set Up Premiere Pro for Quick Color Grading Sessions
Learn how to set up your physical workspace for quick color grading in Adobe Premiere Pro. Plus, optimizing the software for your workspace.
Are You Punching Below Your Weight? Is There Anything To Be Done?
In this episode of From The Mailbag we discuss a member's email about how he feels he should be landing bigger projects but isn't.
Am I ready for client supervised color grading sessions?
A Mixing Light member has color graded for an internal team for years. But how does he know if he's ready for outside client color sessions?
Broadcast Promo Finishing Workflows in DaVinci Resolve
Learn how to use DaVinci Resolve to finish and output coutless versions of broadcast promos, easy fast and without any mistakes.
Don't Hate: Tips For Not Resenting Projects Or Clients
In this Insight learn several strategies for not resenting projects and clients & getting totally burned out.
Accurate Monitoring in Premiere - HDR and Apple displayP3 Colorspace
Learn how to set up Adobe Premiere Pro for HDR workflows and to make Apple Retina's displayP3 monitors 'accurate' for web-based deliverables.
A DCP Problem & A Refresh On Troubleshooting
Team Mixing Light tackles two problems creating a DCP. We also discuss proper troubleshooting techniques for any post production problem.
$5000 For A Monitor. What Should I Get?
We get a lot of questions about picking a color-accurate monitor for grading. In this episode listen to our thoughts on things to consider.
Advanced vs. Mini Control Surface - Should I Sell The Advanced Panel?
Team Mixing Light discusses the Resolve Advanced Panel, compares it to the less costly Mini, and asks if the larger panel is worth keeping?
Updating A Color Grading Suite - 2 Years Later
Learn how I've evolved my grading suite in the past 2 years. I added new hardware and adjusted my layout to fit new, advanced workflows.
ACES in Action Part 2 - Breaking Down the Imaging Pipeline
In Part 2 of this Series, learn the details of an indie film navigating ACES between DaVinci Resolve, Premiere Pro, and After Effects.
Simplifying DCP Drive Delivery With Cinematiq's DCP Transfer
Learn about Cinematiq's DCP Transfer application for streamlining EXT2 DCP driver deliveries - without having to jump in the Terminal!
ACES Color Correction in Action: An Indie Case Study Part 1
The ACES color management workflow is a key technology for major Hollywood productions. Learn how an Indie film implemented ACES.
Working On The Road - Taking Vacation As A Freelance Colourist
Working as a freelance colorist seems like freedom and flexibility. But what do you do on vacation - and the client has urgent revisions?
How Do You Finish at the Highest Possible Quality in Premiere Pro CC?
Premiere Pro has strict, but hidden, color management. Learn how to setup the software and hardware for proper color management & finishing.
Our Initial Thoughts On The Apple Pro Display XDR - Is It Truly XDR?
The XDR looks like an impressive display from Apple but - is it a reference monitor? It sure is priced like one!
Introduction to Tracking Tools and Techniques in Resolve Fusion
Learn how to set up and use Resolve Fusion's point- and planar- trackers. You'll deal with occlusions and see a powerful tracking technique.
Our Initial Thoughts On The 2019 Apple Mac Pro Announcement
At WWDC 2019 Apple took the wraps off a brand new Mac Pro & a new HDR display. In this Mailbag, Team Mixing Light discusses the new Mac Pro.
Is DaVinci Resolve 16 Public Beta Now Ready For You To Upgrade?
DaVinci Resolve 16 is very exciting. But it's currently in 'Public Beta'. What does that mean? Can you update to it safely?
The Game Of Thrones 'Too Dark' Kerfuffle
We take a look at Game Of Thrones Season 8, Episode 3 and ask, as creative professionals, was it too dark and where did it go wrong?
What to do if your client doesn't trust any of your reference displays?
Team Mixing Light tackles a member's question on how to handle a DP who doesn't trust any monitor in a facility?
You Failed...Now What?
Failure is a part of any business, but how you process and recover from failure can make a big difference on how you succeed next time.
PixelTools Review: Is There Magical Pixie Dust in These PowerGrades?
A video review of how PixelTools uses the native tools in Davici Resolve to construct custom looks and utilities with PowerGrades.
Clients Unhappy With Your Downstream SDR Tone Mapped Color Grade?
High Dynamic Range color grading is challenging. Listen as we discuss a question about HDR > SDR tone mapping and how to handle expectations?
My Favorite New Color Feature in Resolve 16: The Adjustment Clip
Resolve 16 adds hundreds of features, including powerful new adjustment clips. Learn how to use them streamline your grading workflow.
Grading With Fusion: Connecting The Fusion and Color Pages
Take your color grading work to the next level in DaVinci Resolve. Learn how to use mattes generated in the Fusion page on the color page.
New Dolby Vision Training & Looking Forward to NAB 2019
The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.
Troubleshooting 101 – Color Compressor & Node Resizing
Dan shares his breakdown of cleaning up a bike frame using the color compressor and node resizing in Resolve
Understanding The Future Of Color Grading - HDR and 'Presence'
In Part 3 of this series, you learn about the evolution of digital video from Standard- to High- Dynamic Range. Why is it here to stay?
Troubleshooting 101 - Cleaning Up An Annoying Background
Dan shares his thoughts behind his solution to removing a reflection using Resolve's Color Page - on a 16mm shot with moving grain structure.
What Project Type Should I Use to Edit and Color Correct in Premiere Pro?
Did you know Premiere Pro CC 2019 has three project types? Standard, Shared, and Team. How do you choose & what are their differences?
Troubleshooting 101 - Resolve Color Management
Troubleshoot an interesting problem for a more in-depth understanding how Resolve Color Management (RCM) works.
Look Inspiration - Emulating VHS Camcorder Footage
What's harder than faking a VHS-look from a high-end camera? Intercutting that look with actual crummy VHS. Learn one way to do it.
Colorist Inspiration January 2019 - Most Memorable Jobs of 2018
Every year Dan looks back at the previous year and shares his greatest successes. This year, he focuses on his most memorable jobs.
Using DCTLs And Expanding Resolve's Functionality
Do you perform repetitive tasks on a regular basis when color correcting or finishing? Then learn how to use DCTLs to automate those tasks!
How To Avoid Two Gotchas In The Lumetri Workflow
Learn how to avoid two problems when color correcting using Premerie Pro's Lumetri workflow. It's all about recovering clipped detail.
Beyond Crypto-Kitties - Blockchain technology in post production
Maybe you've heard of blockchain? Learn how this new technology is going to impact the post production industry (and what's holding it back).
Behind The Curtain - 16mm Style Grade Part Four
Dan wraps up his behind the curtain series with a watch through and matching pass on the whole video to make sure it flows as a whole film
What Is A CDL And When Do You Use It?
Take an introductory look at the Color Decision List (CDL) and learn about the strengths and weaknesses of an ASC-CDL based workflow.
Revisiting Using A Single Large Format Monitor
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
The Benefits Of Fixed Node Structures in DaVinci Resolve - Part 2
In Part 1 you learned how to build a Fixed Node Structure in Resolve's node tree when color grading. Now learn its huge time-saving benefits.
Behind The Curtain - Not So Near-Set Grading
Dan shares his story from a recent "not so near-set grade" for an upcoming collaboration with friends on a short film.
Learning Fusion Part 2 - Revising A Text Animation (Like A Compositor)
Learn how to deconstruct a pre-built Fusion animation that ships with DaVinci Resolve. After studying one, we revise our animation to match.
How To Develop A Fixed Node Structure In DaVinci Resolve: Part 1
Building out node trees on the DaVinci Resolve Color page can be a messy affair. And haphazard. Learn how to develop a personalized node tree.
Elsewhere On The Web: The Fall 2018 Edition
These 'don't miss' color grading related articles and videos are culled from 2018's 4th quarter of the weekly curated Tao Colorist Newsletter.
Is High Dynamic Range (HDR) Video Legit? Should I Invest In HDR Tech?
Team Mixing Light discusses a member question about HDR: Is here to stay and should they be investing in HDR tech?
Behind The Curtain - 16mm Style Grade Part Two
Dan picks up where he left off in this series on real time grading a music video. In part 2 we look at the noisy internal scene.
How To Fight Periods Of Not Feeling Creative (and still be creative)?
Robbie, Joey, and Pat answer a member's question about how to handle periods of feeling creatively empty in the color grading suite?
Behind The Curtain - Cleaning Up For 2019
Dan shares his thoughts on trying to clean up his grades in 2019 and moving away from his favourite film emulation techniques.
The 2018 Mac Mini - Perfect Color Suite Companion?
In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.
Behind The Curtain - 80s Release Print Dirt & Texture
Finding the right balance of noticable and realistic is always a challenge. Dan shares behind the curtain on a film release print style grade.
Using Python and Expanding DaVinci Resolve's Functionality
Resolve's new scripting APIs open up exciting new possibilities. Learn how to get started by using Python to import comments from Frame.io.
Is It Your Responsibility to Archive a Color Grading Project?
Multiple members have recently written asking the same question: Is it a colorists' responsibility to archive media and project files?
Color Correcting With Blending Modes -Recovering Highlights With Multiply
Dan shares his technique of using the multiply blending mode to recover highlights easily and naturally via a layer node.
Advice For Dan’s (Or Anyone’s) Color Correction Business
Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.
Creating A Western Look Using Color Space Transform & Emulation LUT
While creating a Western look, learn how to use a color space transform with a film print emulation LUT in DaVinci Resolve.
Getting To Know Dolby Vision Part 3: Dolby Vision For Everyone!
In part 3 of our ongoing Dolby Vision series, learn about big changes to Dolby Vision & Resolve in 2018, plus new tools & workflows.
Understanding The Future Of Post Production and Color Grading: Part 2
The 5 'pillars' of the digital video revolution evolve at a different paces - but are driven by the same force. We covers two more pillars.
Integrating Graphics & Text Into A Dobly Vision HDR Project
Team Mixing Light is once again joined by Joey D'Anna to discuss integrating graphics and text into Dobly Vision HDR projects.
Before The Grade: 5 Pre-Grade Tips To Improve Session Speed
In this Insight, Robbie looks at 5 pre-grade tips that can help you increase your overall session speed when it comes time to grade a project.
Understanding The Future Of Post Production and Color Grading: Part 1
Digital video post production and color grading is rapidly advancing. Which technologies do you need to prepare for? And why?
Color Grading HDR For The First Time - In A Live Competition!
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.
Color Grading Challenge: Recreating the 90s Pop Video Look
Dan kicks off a new grading challenge where he plays your client. It's based on a 90s pop video style color grade he recently recreated.
Behind The Curtain - Liberty Commercials: Adding Depth To Drone Footage
Drone footage is a very common occurance on timelines these days. Dan shares his techniques for adding depth to the footage.
What Can DPs Do To Make Final Color Easier?
Pat, Robbie and Mixing Light Contributor Joey D'Anna discuss what can DPs and onset staff do to make the final color grade easier?
Revisiting DCP Creation With Resolve 15
Resolve 15 supports the ability to create DCPs natively. In this Insight, learn how that works and get back ground info on essential DCP specs.
Behind The Curtain - Liberty Commercials Sun vs No Sun
Sometimes we are gifted with better sun than other times. In this Insight Dan shares his experience on a job shot over multiple months.
Guide To Safely Upgrading To DaVinci Resolve 15 (and beyond)
If you want to upgrade from an earlier version to DaVinci Resolve 15 then how do you do it safely? This checklist will help you out.
Behind The Curtain - Thrice The Grey
In this Insight, Dan shares his experience in developing a look to back up the lyrics and narrative in a music video by his favourite band.
An Overview (And Tips) On Using The DaVinci Resolve Project Server App
Designed for sharing database on several computers in DaVinci Resolve, learn how the Resolve Project Server App simplifies your life.
Should I Standardize Every Project Using A Color Management System?
We discuss if professional colorists should be standardizing every project around color management systems like RCM & ACES?
Shared Storage For The Small Studio: Case Study With The Lumaforge Jellyfish Mobile
In this Insight, learn about the basic design of the Lumaforge Jellyfish Mobile, and why it might be a perfect solution for your set-up.
Elsewhere On The Web: Managing Saturation, Live HDR, Resolve Fusion (& more)
Summer 2018 round-up of don't-miss color correction tutorials from other websites (with commentary). We wish we had them here, first.
Rediscover The Basics - Fixing Exposure Shifts
Exposure shifts creep up in projects regularly. With the right node structure and correct technique you can easily fix these in seconds.
How To (Improperly) Export LUTs in DaVinci Resolve 15
Learn the 'rules' when exporting LUTs in DaVinci Resolve 15. You also learn how to break a LUT to understand the problems with many LUTs.
LG 8 Series Or FSI XM650U - Which Large Format Display To Buy?
The Team discusses a question we've been getting a lot: Is it worth getting the FSI XM650U over a 65" LG OLED?
How To Sync Double-System Sound In Silverstack XT & LAB
Take charge of all the audio sync functions from inside of Silverstack XT and LAB! Learn manual and automatic double-system sound sync.
Behind The Curtain - Live Concert Grade
Dan shares a tale of things going a bit wrong on a live concert grade w/ high powered LED lights and how moving over to ACES solved things.
10 Things I've Learned (So Far) About HDR Grading
In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.
Colorist Toolbox 2.0 - Building A Look Library 2018
The only person that is going to inspire you is yourself. A Look Library surrounds you with inspiration keeping you motivated and current.
The 3000 NIT FSI XM310K: Talking HDR With Bram Desmet
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
DaVinci Resolve Compound Nodes: Efficiently Managing Looks
Now that DaVinci Resolve is gaining tools by the month, Dan takes a look at managing the node graph to keep things organised and flexible - with the goal of allowing for quick changes.
A Career As A Colorist: The Best Advice We've Received
We discuss the best advice we've received for our color grading careers. From attitude to technical to creative, we share what's worked.
Inspired By Lacoste, Timeless - Learning From An Award Winning Grade
What makes an award-winning grade so special? Dan attempts to break down what made the Lacoste, Timeless commercial so special and how we can pick up some tips to use on our own grades.
A Month Later: Team Mixing Light's Take On NAB 2018
It's been a little over a month since NAB 2018. We discuss what we saw including Resolve 15, new HDR monitoring, control surfaces and more.
How To Safely Upgrade to DaVinci Resolve 15 Public Beta
The latest release of DaVinci Resolve 15 is very exciting. But it's currently in 'Public Beta'. What does this term really mean? And how can you update to it without putting your computer (or your projects) at risk?
Getting Started As A Colorist & What's Changed In Grading?
We've got lots of questions from members asking how to get started as a professional colorist and how has grading changed over the years?
Practical Beauty Color Grading Level One: Quick and Effective
Sometimes even offering the smallest level of beauty work for a client can go a long way. Learn quick skin-smoothing / eyebag-reducing tips .
First Impressions with DaVinci Resolve 15 Public Beta (after NAB)
Learn what one colorist thinks of DaVinci Resolve 15 Public Beta the first time he launches it. Not on the trade show floor in Las Vegas where he first saw it... but in quiet of his suite. And discover the huge new feature no one is talking about!
Practical Beauty Work - Why You Need To Be Offering It
Beauty work and re-touching can be a great additional source of income as a freelance colourist. Dan shares his thoughts and kicks off a new series on getting involved in retouching.
Inspired by Mini 2018 - How One Colorist Emulates A Vintage Look
We've all seen amazing commercials and films that inspire us, but how do we turn that into color corrections that we can use on our own projects? Dan shares his approach to being inspired by a recent award-nominated color grade.
Talking LGs, OLEDs, and Calibration With Portrait Display's Tyler Pruitt
In this special edition Mixing Light Podcast, Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!
An Introduction to Fusion (For Colorists) in DaVinci Resolve 15
While Fusion is a node-based compositor, its node tree is very different than the Color Page. Learn how to use Fusion in DaVinci Resolve 15 in under 15 minutes.
Resolve 15 New Color Page Features
In this Insight, colorist Joey D'Anna, fresh off demoing Resolve 15 at the Blackmagic booth at NAB 2018, shares his thoughts on the top new features that benefit the dedicated colorist the most in Resolve 15.
Two Ways of Using DaVinci Resolve's Parallel Mixer Node
In Part 2 of this series you learn two different ways of using DaVinci Resolve's Parallel Mixer node. We take the theory from Part 1 and put it into action on real footage (from one of our Color Correction Practice Projects).
NAB 2018 Plans & Is My Harris DL860 Working Properly?
We discuss our 2018 NAB teaching plans and where to find Patrick on the show floor? We answer a member's question about the Harris DL860.
Re-Revisiting Multi-Channel Audio Output In Resolve
No, that's not Déjà vu! We're re-revisiting multi-channel audio output in DaVinci Resolve! In Part 1 of a new series, we'll explore the essentials of multi-channel output including using the 'Timeline Tracks' method, The Link Group behavior, and basic bussing.
Colorist Challenge: Moving From A Direct View Monitor To The Cinema
A member asks about grading on a direct view monitor vs. the cinema. We discuss the differences and why overcomplicating it is a bad idea!
Colorist Podcast EP 022: Dado Valentic
In this installment of the Colorist Podcast, Josh sits down with colorist, trainer and industry visionary Dado Valentic to discuss his much talked about presentation on color grading and AI, HDR workflow, on tools for colorists and more!
Multicam Gone Wrong: Re-syncing Clips in DaVinci Resolve 14
DaVinci Resolve's automatic syncing of multiple cameras for its multicam editing workflow often fails. Learn how to reliably re-sync cameras after creating a multicam clip.
How To Migrate PowerBins, PowerGrades, Configs Between Databases?
Team Mixing Light discusses strategies for moving Resolve PowerGrades, PowerBins & project configurations between databases.
Handling A Rejected Grade, As A Freelance Colorist
Dan Moran recently joined the freelance world. He's curious how Pat and Robbie handle a client who rejects a grade - fix it or charge more?
Behind the Curtain - Commercial #2: From Base Grade to Final Look
In this Insight, Dan covers another of his behind the curtain commercials. This time we look at a bright morning kitchen scene. In this real-world assessment and grade, Dan focuses on getting a bright airy feel without losing on the filmic sense.
Grading The White Cyc Stand Up - When White Is Not White
In this video, you learn techniques for color correcting log encoded white cyc footage. Plus get several solutions for fixing common problems with these types of shoots and why, many times, your corrections are a compromise.
CalMAN Part 10: Using Calibration Test Patterns In Your NLE
If you want to calibrate your reference display through your main non-linear editing software then you want to use calibration test patterns playing through a timeline. Learn how to be sure you don't have Data- and Video- level mismatches.
How To Back Up Your Resolve Databases And Your Computer
One of our members asks about backing up Resolve databases and computers. This is an essential skill for colorists, listen to how we do it.
Colorist Podcast EP 021:Shane Mario Ruggieri
In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!
How Do You Choose A 4k Reference Monitor For Color Grading?
The Team discusses the pros/cons of 4k monitoring. We explore new offerings from Flanders Scientific including the XM650U and XM310K.
Demystifying Contrast and Brightness Calibration Test Images
In our reference display calibration series we've been using a specific set of calibration test images. But two test images (used to precalibrate our Contrast and Brightness settings) generate a lot of confusion. Get unconfused in this Insight.
First Look: FSI XM650U UHD Monitor
In this special Insight, Bram Desmet CEO & General Manager stops by Robbie's studio to take a look at the brand new FSI XM650U UHD OLED HDR Monitor. Learn about the essential design of the monitor, its capabilities and how it might help you.
Is Your Reference Display Input Properly Set To Data Levels Or Video Levels?
If you have a broadcast reference monitor for editing and color correction then you need to make sure it's properly processing your images. Learn how to know if you have a mismatch in data levels with your editing or color correction software.
How To Color Grade Full Range for Data Level Broadcast Delivery?
A member asks a question about working in Full Range but delivering a video rendered to legal/broadcast levels. We work through the thinking.
From The Grading Suite: From Short Form To Reality
Dan shares the tale of his attempt at grading long-form reality television after spending 10 years being a pampered commercial colorist.
Grading A Short Film Part 2 - Testing The Feel Of The Footage
Dan shares his assessment of how to get the feel of the footage before you speak to the director. It helps when you can be upfront about what is and isn't possible.
Precalibrating A Reference Display (without using LUTs) Part 1
In this CalMAN Studio series you've learned how to calibrate a video reference display using Look Up Tables (LUTs). Not every display supports internal LUTs. If you don't have (or want) an external LUT box then what do you do then? Watch and learn.
Revisiting The Judd Modification When Calibrating OLED Displays
Team Mixing Light answers a member question about using the Judd Modification for an OLED reference monitor. What is it? When to use it?
Telestream Switch: A Media Player For Pros?
QC and media inspection are an essential part of 'finishing' process. In this Insight, Robbie shares his experience with Telestream Switch which is a full featured media player, inspector and QC tool.
Grading A Short Film Part 1 - Download The Footage
Dan is excited to launch a new series on Mixing Light that will feature a briefing from the real director of the project. In this intro Insight, download some RED 8k footage to attempt a grade before getting creative brief from the client.
Colorist Podcast EP 020: Ian Vertovec
In the first installment of the Colorist Podcast for 2018, Josh sits down with well-known colorist Ian Vertovec from Light Iron. They discuss Ian's work, ACES, HDR, VFX workflow and much more!
Elsewhere On the Web... Insights You Shouldn't Miss 'Out There'
Our focus in our Insights Color Correction Library is on creating original content. But sometimes we see original thoughts on other websites that you need to read. In this post, we share a few of those don't-miss insights from the internet.
Talking About and Understanding Dolby Vision Color Grading
Building on Robbie's recent articles, Pat and Dan ask questions about workflow and Robbie's recent trip to Dolby in Burbank, CA.
Using Denoiser III On Challenging Footage (Compared to Neat Video)
Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.
What Not To Do When A Client Asks For A New Direction
Dan shares a tale from the grading room of a film emulation gone wrong and how by missing the mistake was destined to fail in the grade with his clients.
Hollywood Restoration and Remastering: Colorist Marc Wielage
Film restoration and remastering is a specialty in the craft of color grading. Learn how a Hollywood colorist handles its unique challenges?
The Challenges (And Lessons Learned) Of Color Restoring Classic Films
The color restoration of classic films is one of the few 'Dark Arts' of digital color correction. Colorist Jim Wicks shares his challenges - and lessons learned - from this unforgiving niche of the craft of color grading.
Building A Show LUT to Keep Your Looks Consistent
When you have complex node trees, rolling it into a show LUT can make your life. Learn how to build your own LUT for your project.
Getting To Know Dolby Vision Part 2: Delivering To non-HDR Televisions
In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.
Can You Save This Shot? Part 2: Patrick's Solution (in real-time)
How do you save a shot that has exposure changes and compression artifacts? Patrick shows you how he does it, with footage you can download.
Image Cleanup In Resolve - Rotoscoping, Cloning, and Repeated Frames
Being able to offer Basic Cleanup in the grade is a great ability. It saves moving to and from a compositing application and helps finish off that job.
The Fundamentals of Rotoscoping in DaVinci Resolve
Sometimes a shot is so basic that a little VFX knowledge goes a long way. In this insight Dan shares his real world rotoscoping example
Testing Calibration Results From An XRite Colorimeter (in CalMAN Studio)
Xrite makes a terrific, affordable colorimeter for the broadcast display market - the i1 Display. We test an old C6 to see how accurate it can be.
Getting To Know Dolby Vision Part 1: Terminology, Gear, and Workflow
In part 1 of our series on getting to know Dolby Vision HDR workflow & color correction, you learn the essentials of setting up a professional Dolby Vision mastering suite.
Fixing VFX Colorspace Issues In A Problematic Pipeline
VFX colorspace issues are the last thing you need when you are on a tight deadline. Dan shares his experience solving issues like these.
Are Low-Cost Colorimeters Compromising Your Calibration Results?
Colorimeters age and become unreliable after a few years. Learn how to extend the life of yours, using CalMAN Profiles and a reference colorimeter.
Colorist Podcast Episode 18: Patrick Woodard
In this installment, Josh talks to Digital Film Tree lead colorist Patrick Woodard about color correcting high-end TV, remote sessions, ACES and more!
Inside the Color Grade Of A Furniture Brand - Series Overview
In a new series Dan shares a look behind the curtain at a real world grading project. From quoting to delivery he dives deep on his process.
How To Improve Reference Display Calibration Results (in CalMAN Studio)
Learn how to improve your display calibration results when using CalMAN Studio. And does using a 'Lightning LUT' compromise your final results?
Color Correction Gear Head: November 2017 Edition
In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting
Colorist Inspiration - UKMVAs Best Color Nominations 2017
Dan shares his thoughts about the UKMVA nominations 2017 for best music video color grading award and asks you to predict the winner
Introduction to Reference Display Calibration - Series Overview
Begin learning how to calibrate your color correction Reference Display by seeing how to calibrate your colorimeter for highly precise measurements.
Colorist Podcast Episode 17: Bob Festa
In this episode, Josh talks to legendary colorist Bob Festa about his gigantic body of work, grading techniques and much more!
Color Grading Challenge - Beauty Grading Review
Dan critiques your beauty grading entries and shares his attempt. The challenge was quite advanced and the results are great. Dan's DRX is also downloadable
Colorist Inspiration – September 2017
Dan shares his inspiration for this month by checking out the nominations for Outstanding Color Grading at the HPA awards
How to Work with Color Charts in DaVinci Resolve 14
If you use DaVinci Resolve to color correct with Color Charts then should you change your workflow in DaVinci Resolve 14? The answer isn't simple. Or is it?
Surviving (And Finishing) A 1000 Shot Project In 2 Days Or Less
Coloring long form projects with very quick turn arounds can be very challenging. In this article, learn techniques for surviving & finishing big projects
Colorist Podcast Episode 16: Alexis Van Hurkman Part 2
In this episode, Josh continues his conversation with director, author and colorist Alexis Van Hurkman. they talk HDR, ACES and more!
Grading Challenge - Beauty Grading Brief
Beauty grading is a discipline all on its own. Dan shares a typical client brief and will offer stages of feedback like a real world client
Thinking Like A Colorist - The "Final Grade"
An old school technique that is still regularly used today in commercials. Having a break between grading the same footage has huge advantages.
How do you choose Gamma 2.2 vs Gamma 2.4 when color correcting?
When you start delving into the finer points of color correction you'll eventually learn about Gamma 2.2 vs Gamma 2.4. Learn how to choose between them.
Eye Training : Diagnose and Compare
In a new series Dan shares his guide to training your eye for contrast issues. Follow this four step process to learn how to diagnose and fix your images
Design Essentials: Another Perspective On Suite Design
In this Insight, Joey D'Anna shares some of what went into the design of his color suite, why he loves Aeron chairs, TBC consoles and more!
RED's IPP2 Pipeline In Resolve (Sort Of)
RED's new IPP2 processing pipeline has a lot to offer, in this Insight, we explore the new pipeline setup in RedCineX & DaVinci Resolve 14
The Ergonomics of Keyboards, Keypads and Computer Displays
In Part 3 of our series, you'll see the different input devices I've experimented with and the computer displays I'm using... with eye toward ergonomics.
Feature Grading: Using Markers To Keep Your Sanity Part 1
Managing the elements and components on a feature film is pretty much a full time job. Dan shares his tips for using markers to stay on top of his project
Thinking Like A Colorist - Assessing Tonal Range
Dan shares his new approach to Assessing Tonal Range and the initial grading moves by asking. Are you trying to make it look better or different?
Colorist Podcast Episode 014: Juan Ignacio Cabrera, CSI
in this installment of the Colorist Podcast, Josh talk to colorist Juan Ignacio Cabrera about his work on cutting edge projects & many other subjects.
Easily Create A Branded Before & After PDF Workflow
Sending before & after stills is part of our life as a colourist. Dan shares his template and thoughts behind using a branded PDF to send to his clients
Client Communication: A Short Primer For Young Colorists
The hardest part about color correction is not learning new software or pushing buttons but communication with clients. Learn more in this Insight.
Creative Color Grading - Blending LUTs | Mixing Light
Some jobs just call for the grade to be turned up to 11. A fun way to do this is by blending multiple LUTs together and enjoying the happy accidents!
Is Your ARRI Alexa Mini Color Pipeline Properly Set in ACES?
The ARRI Alexa Mini is a great camera - and it color corrects beautifully in ACES. Learn how to confirm your color pipeline (in DaVinci Resolve).
Dust Busting - Removing Dirt In Resolve
Dust Busting in one of those tools you don't know exists in Resolve. Dan shares his tips on how and when to use it in the grade
Our New DaVinci Resolve14 Traning & Revisiting Remote Rendering
The Team discusses our new Resolve 14 New Features title as well as DaVinci Resolve Remote Rendering with guest Joey D'Anna.
From The Grading Room – Grading Lucy Rose
Dan shares the behind the scenes thoughts that go into such a stylised 70s era music video for Lucy Rose. 80% in camera and 20% in the grade
Colorist Podcast Episode 013: Vanessa Taylor
In this installment of the Colorist Podcast, Josh is joined by colorist Vanessa Taylor. From balancing tech & art, grading HDR this is a great listen!
In Action: Working With The Key Mixer In DaVinci Resolve
In Part 2 of this series on working with alpha channels in DaVinci Resolve, learn how to use the Key Mixer to solve tricky a tricky problem on a commercial.
Getting To Know The Resolve 14 Collaborative Workflow Part 2
In this Insight, we put Part 1 into action and explore the powerful workflows possible with Resolve 14 collaborative workflows.
Dan's Month In ACES
Dan spent a month in ACES getting to know the new way of grading. In this insight he shares his thoughts on the good the bad and the ugly of ACES.
Getting To Know The Resolve 14 Collaborative Workflow: Part 1
Among Resolve 14's great new features, the redesigned collaborative workflow stands out. In this Insight, learn the essentials of Resolve collaboration.
Moving From A Mac to PC for Media Professionals: Member Questions
A 2-part interview series for media pros talking about the challenges Mac users face when moving to the PC elicited many questions. Here are the answers.
Pressure: How To Get Things Done Without Having A Breakdown
Pressure is an unavoidable part of being a professional colorist. In this Insight, learn strategies to alleviate pressure so you avoid a complete meltdown!
DaVinci Resolve 14: The Mythical Collaborative Workflow Has Arrived
Like flying cars, the 'Studio' concept of post-production was promised for generations. At NAB 2017 we have the first actual implementation in Resolve 14.
DaVinci Resolve 14: First Look
In this Insight, we take a look at some of the compelling new features in DaVinci Resolve 14 including OFX, performance and editing improvements.
Color Correction Gear Head: Review of the Resolve Mini Control Panel
In this installment of Color Correction Gear Head veteran colorist Marc Wielage provides his impressions of the new Resolve Mini Control Panel.
From The Grading Room - Are We Sterilizing Images?
Now that most people have a basic knowledge of color correction thanks to Instagram what does that mean for us colorists?
Colorist Podcast Episode 011: Dave Abrams
On this installment of the Colorist Podcast, Josh talks to famed calibrator Dave Abrams of Avical about display technology, HDR & getting great calibrations
DIT Essentials: Metadata, Transcoding & Verifying Your Camera Files
Get a tour of essential software a DIT uses on-set to execute the important tasks of handling (and handing-off) metadata, playback of clips and transcoding.
From The Mailbag EP 37: Mixing Light 2.0 Member Changes & Benefits!
Learn about changes and new features for Mixing Light members with the newest version of our Website - Mixing Light 2.0.
First Look: Getting To Know the Resolve Mini Control Surface
In this special edition of the Color Correction Gear Head series, we welcome Joey D'Anna & his review of the Resolve Mini Panel.
Green Screen Keying & Managing Transparency In Resolve
In this Insight, learn about pulling a green screen key in DaVinci Resolve and how to manage transparencies and rendering alpha channels.
Colorist Podcast Episode 010
In this edition of the Colorist podcast Josh talk to the famed Warren Eagles from the International Colorist Academy.
Breaking Geographic Boundaries: Remote Grading Part 2
In part 2 of this ongoing series, Robbie explores using Streambox's Hybrid Encoder for remote sessions plus some additional gear.
Color Correction Gear Head: February 2017 Edition
In this installment of Color Correction Gear Head Robbie talks about some recent gear & software finds to make life in the color suite easier
What Are The Elements Of A Professional Data Download Kit?
Are you interested in working On-Set? The 'Data Downloader' is a key player in digital productions. Learn the basic tools of the trade.
Getting To Know The EasyDCP Resolve Plugin: Streamlined DCP Creation
Want to make a DCP directly from Resolve? In this Insight, Robbie explores the essentials of using the EasyDCP Resolve plugin.
Feature Grading: Getting Started
Getting started on a feature film can be a daunting process. Dan shares his experience on getting the ball rolling slowly and carefully
Colorist Podcast Episode 09
In this episode of the colorist podcast, Josh talks to Technicolor senior colorist Peter Doyle about his amazing career & many other subjects
Is Perception Hurting Your Color Correction Business?
Client perception about you & your business plays a large role in winning work.In this Insight learn how to shape client perception
How To Use DaVinci Resolve's Color Match In An ACES Pipeline
DaVinci Resolve's 'Color Match' function is simple but can be confusing. Learn how to properly set up Color Match in ACES workflows.
How to Color Match using Color Charts with RAW (or LOG) Footage
DaVinci Resolve's 'Color Match' is terrific for Color Charts recorded on-set. Learn the tricks to this feature if your Footage is RAW or Log.
Breaking Geographic Boundaries: Remote Grading Part 1
In part 1 of a 3 part series, we explore the different methods of remote grading and how remote work can help your bottom line.
How To Prepare And Quote A Bid To Color Grade A Feature Film
Dan jumps from commercials to features in this series and shares his guide to getting organized and plan for efficient feature grading
Using Reference Monitors & LG's OLEDS Together In The Color Suite
Team Mixing Light discusses choosing colorist reference monitors. Plus, using LG's consumer OLED televisions in our color suites.
Screwing Up A Flat Bid: 5 Strategies To Prevent & Fix Low Flat Bids
In this Insight, Robbie shares some hard-won tips on what to do when you screw up the pricing on a flat bid & how to prevent these mistakes.
How to Handle Scaling in XML Workflows for Premiere Pro CC
Learn what settings to use in Premiere Pro CC when Scaling in XML workflows. And the settings to use for importing into DaVinci Resolve.
Understanding the Premiere to DaVinci Resolve Image Sizing Handoff
If you have problems exporting XMLs with image sizing from Premiere to DaVinci Resolve, this video explores the settings you need to know.
Colorist Podcast Episode 08
In this episode of the colorist podcast, Josh talks to industry veteran/legend Dale Grahn about his storied career & many other subjects
The Look Of 'Westworld' & Look Creation Philosophies
Robbie, Pat, and Dan discusses the look of the series 'Westworld' and our look creation philosophies when color grading.
Why You Need to Master the 'Frame Size' Option in Premiere Pro CC
If you send your timelines from Premiere Pro CC to DaVinci Resolve then you know resizes often fail. Your 'Frame Size' selection is the key.
Color Correction Gear Head: January 2017 Edition
The Color Correction Gear Head Series is back! This time around we cover a video router, a couple sets of adapters, and a streaming solution.
Using DaVinci Resolve's 'Offline Reference Clip' to Conform Timelines
Learn how to use the 'Offline Reference Clip' to see what the final approved timeline looked like - while color correcting in DaVinci Resolve.
From The Mailbag EP 34:Talking GPUs & Tech We Can't/Can Live WIthout
The Team discusses GPUs for the colorist and how to select one. Plus, tech we've discovered we can live without, and tech we can't.
How To Quickly Generate Color Correction Ideas At The Start Of A Session
Are you having problems deciding how to attack color correcting your images? Learn how to quickly generate ideas in this video.
Making The Move From Mac To A Windows PC: Part 2
In part 2 of this ongoing series we take a look at popular Windows PC turn-key solutions & the essentials of PC hardware components.
Resolve Collect
If you're having trouble with DaVinci Resolve's built-in Media Manager then check out this video featuring 'Resolve Collect'.
Managing Media in DaVinci Resolve
Part of a larger series, we finish conforming a timeline and start managing media off a client hard drive onto our RAID, in DaVinci Resolve.
New Year Resolutions 2017: Improving Your Business & Color Grading
In this Insight, Robbie shares a number of new year resolutions for potentially improving your business & color grading.
Conforming In DaVinci Resolve - Solving Sync & Frame Rate Problems
When importing a timeline & conforming in DaVinci Resolve, problems occur. See how we methodically solve frame rate & sync problems.
An Interview with Colorist Ayumi Ashley
In this episode of the colorist podcast Josh talks to colorist Ayumi Ashley from Mission Film & Design about her work & career
How to Fix 'Reel Conflicts' and 'Force Conform' Errors in DaVinci Resolve
When importing a timeline into DaVinci Resolve, learn how to find and solve 'reel conflicts'. Plus, learn to solve a 'Force Conform' error.
Exploring XML Conform Options in DaVinci Resolve
Importing XMLs into DaVinci Resolve can be frustrating. Sometimes, a change in Resolve's 'Conform Options' settings can save the day (or not).
Making The Move From Mac To A Windows PC, Part 1: Addressing Common Objections
In part 1 of new series on switching from the Mac to Windows, we address some common complaints often cited about moving from a Mac to a PC
Media Manage An XML For Color Correction (from client drives to your raid)
Learn how to prepare to Media Manage an XML, and get footage off your client's hard drives and onto your high-performance RAID.
An Interview with Professional Colorist Rob Bessette
In Episode 6 of the Colorist Podcast, Josh Petok talks to commercial colorist Rob Bessette about his career, grading commercials & more!
From Client Hard Drive to XML Export: Prepping a Timeline
If you need to move a timeline from Premiere Pro or Final Cut Pro for color grading or finishing then learn how to prep it for an XML Export.
Getting To Know ACES Part 4: The Latest In ACES Updates
Continuing our introductory series on ACES, you learn about the latest updates to ACES, including a working color space added to the ACES 1.03 specficiation: ACEScct. Plus, how it effects DaVinci Resolve colorists.
What is the Golden Rule of Conforming Timelines?
If you move your timeline from one bit of post-production software to another then you need to know the 'Golden Rule of Conforming'.
DaVinci Resolve Detective: Is the Mouse Math fixed in DaVinci Resolve 12.5.3?
Did Blackmagic fix the 'Mouse Math' problem in DaVinci Resolve 12.5.3? Plus, how about the other bugs we found in our Resolve Detective series?
Syncing Resolve's LUT Folder & Viewing HDR & SDR Simultaneously
A member asks how they can easily sync Resolve's LUT folder between suites. Plus, the pros/cons of viewing HDR & SDR simultaneously.
White Balancing Shots and Solving Common Problems
Learn how to white balance shots with mixed color temperatures. Plus, how to deal with subtle color balance issues.
How To White Balance Shots Using Common Color Correction Tools
Watch how to White Balance (or Color Balance) digital video images. You'll explore 4 different tools and learn their differences.
Colorist Podcast Episode 005
In Episode 5 of the Colorist Podcast, Josh talks to well-known online editor & colorist Terence Curren about his work & other sujbects
Color Correction Gear Head: October 2016 Edition
In this installment of Color Correction Gear Head, learn about essential gear & items you'll need to rewire & install gear in your room.
Remote Grading Via Skype
When Your Director Is 6000 Miles Away In this Insight I’d like to share an experience I had this week. I had a room full of clients in London but…
First Look: Using Color Finale Pro and the Tangent Ripple in FCPx
First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.
Getting To Know ACES Part 3: Visual Effects Workflows
Our Getting To Know ACES series continues, looking at the essentials of using ACES for VFX roundtrips with DaVinci Resolve. You learn how to move images between VFX and color grading within the ACES color science.
Getting To Know ACES Part 2: More Terms & Resolve Setup
Start digging deeper into ACES terms and acronyms that will have you sounding like a pro. And you learn how to set up ACES in DaVinci Resolve.
Revisiting Multi-Channel Audio Output In DaVinci Resolve
Resolve users are often tasked with making final outputs.In this Insight, learn how to easily route multi-channel audio for output.
How to Work Around the 'Mouse Math Bug' in DaVinci Resolve
In an earlier video we showed you the 'mouse math bug' when color correcting in DaVinci Resolve—now learn how to work around it.
Getting To Know The DaVinci Resolve Control Panel - An Overview
The DaVinci Resolve Control Panel gives you the most hands-on control of Resolve. In this Insight, learn about the design & functionality.
Colorist Podcast Episode 004
In Episode 4 of the Colorist Podcast Josh talks to well-known freelance colorist Mark Todd Osborne about his work & many interesting subjects
Color Correction Math in DaVinci Resolve: Control Surface vs. Mouse
Does the color correction math in DaVinci Resolve change depending if you're using a mouse versus using a colorist control surface?
Color Correction Gear Head: September 2016 Edition
In this installment of Color Correction Gear Head we take a look at the Pascal Titan X GPU, LG B6 OLED, & some fantastic Focal Speakers
New Stereoscopic Tools for HDR Workflows in DaVinci Resolve
DaVinci Resolve 12.5 has introduced some new Stereo features... to support HDR workflows for High Dynamic Range color grading. Learn more...
5 Ways To Sell Clients On NOT Color Correcting In-House
In this Insight, discover 5 strategies for convincing clients to grade with you rather than color correct projects in-house.
Colorist Podcast: Episode 3
In Episode 3 of the Colorist Podcast Josh talks to well-known finishing artist & colorist Gray Marshall from Technicolor L.A. about his work.
What's New in the DaVinci Resolve 12.5.1 Update?
What's new in the DaVinci Resolve 12.5.1 Update? Learn about new features, new behaviors and general observations about this latest update.
Modulating Your Time Based On Client Budget & Needs
With constrained budgets, clients can't always afford your services. But maybe you can modulate your time and effort to meet their needs?
How to (mostly) Fix RGB Gamut Excursions in Software
If you're color correcting digital video for professional distribution, nothing is worse than having it rejected for RGB Gamut excursions!
Getting To Know The New Flanders Scientific BoxIO
Color management can be complex. We talk to FSI's Bram Desmet about their new BoxIO Lut box and how it can help on-set & in post.
How to Color Grade With Client Revisions In Mind
Sometimes we get lost in the heat of the moment and over complicate our grades. Dan shares his tips for responsible grading when time is short
Color Correction Gear Head: August 2016 Edition
In this Color Correction Gear Head, Robbie takes a look at the zBook Studio From HP, the GeChic 1303i monitor, Tangent Ripple & CineXtools
Conform Issues Database – Introduction
Conforming timelines can be time-consuming before you even start color correcting. Learn the common issues (and how to fix them).
Delivering Project Files: Making The Choice About Your IP
You always deliver final video files but should you deliver project files to your clients too? Learn more in this Insight.
Resolve Remote Rendering: Setting Up A ProRes 'Dongle'
Working on a PC but need to render ProRes? In this Insight, learn how to setup Resolve remote rendering & use a spare Mac for ProRes renders
Premiere Pro CC 2015.3, Part 1: New Updates to Existing Features
Get a look at the new features in Premiere Pro CC 2015.3 for existing color correction tools, including the Lumetri Effect.
Bad TV: Essential Steps For Creating The Bad TV Look
Every once and a while you'll need to create a stylized bad TV or surveillance camera look. In this Insight learn how.
How to Create a Virtual LUT (and what it's good for)
Learn how to create a Virtual LUT and decide if it'll make your color correction reference monitor more accurate? Software:CalMAN & Lightspace
Color Correction Gear Head: The July 2016 Edition
In the inaugural edition of the Mixing Light color correction gear head series we take a look at 4 pieces of gear for the colorist.
5 Strategies For Managing A Supervised Session
Supervised color grading is hard! In this Insight, Robbie shares 5 strategies for managing a supervised session.
Optimizing for CalMAN: The i1 Display Pro and SpectraCal C6 for CalMAN
Optimizing for CalMAN the X-Rite i1 Display Pro and SpectraCAL C6 is easy. Learn how—and the differences between these colorimeters.
Getting Started with CalMAN's Colormatch Workflow
If you do video color correction, watch 'Getting Started with CalMAN ColorMatch' to learn how to test if your reference display is accurate.
Using Custom Offsets with the i1 Display Pro OEM in Lightspace
Learn how using Custom Offsets with the i1 Display Pro OEM can turn this inexpensive colorimeter into a reference meter you can trust.
Optimizing the i1 Display Pro OEM for Lightspace - Part 1
The X-Rite i1 Display Pro is the most popular colorimeter on the market. Learn how to use it in Lightspace for video profiling & calibration.
Graphs in Lightspace DPS: How To Read Your Profile Results
Learn how to read the graphs in Lightspace DPS, to evaluate if your display requires calibration for color correction.
How Sync & VPN Changed My Color Grading Life
In this Insight, Robbie explores how through VPN & BitTorrent sync he was able to leave the office earlier & still work!
Getting Started with Lightspace DPS - Do You Need To Calibrate?
'Does my color correction display need recalibration?' Getting Started with Lightspace DPS (a free app) helps you answer that question.
Reference Display Profiling: Is Your Display Accurate?
If you do video color correction, do you know if your reference display is accurate? Learn how to find out. The first video in a series.
12 New Features in Resolve Studio 12.5 (that are worth paying to upgrade)
These 12 New Features in Resolve Studio 12.5 may finally get you to upgrade to the paid version. See some of them in action.
Colorist Inspiration – April 2016
NAB is over and a whole heap of new tools and toys have arrived for us colorists. The perfect time for another installment of colorist inspiration. This installment is slightly…
Resolve 12.5 - Robbie's Top Features
Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.
Premiere Pro Color Grading - Working with Vignettes to Control the Eye
Step 3 in our 'Premiere Pro Color Correction Protocol' is to control the viewer's eye. Learn how—by working with vignettes and custom masks.
How to Properly Use Dropbox with DaVinci Resolve (and avoid disaster)
If you're using Dropbox and DaVinci Resolve as a server for your disk databases, that's not a good idea! Learn why...
Shot Matching in Premiere Pro—The Color Correction Protocol
Shot matching in Premiere Pro CC is the second step in The Color Correction Protocol. Learn how to stack filters and get the job done!
Understanding the Scene Cut Detection Workflows in DaVinci Resolve
DaVinci Resolve's 'Scene Cut Detection' workflow can be efficient. But it gets confusing if you've got revisions—here's one way to handle it.
Mixing Light at NAB 2016 plus Film Style Grading plus sRGB Deliverables
It's a busy day for Team Mixing Light as we discuss our NAB 2016 plans, log style color grading and handling sRGB deliverables.
The Premiere Pro Color Correction Protocol—Contrast
Learn how to use Premiere Pro Color Correction filters in a logical and organized method for any sized project. We start with contrast.
Advanced Finishing Techniques - Dealing with Picture-In-Picture Effects
How do you color correct Picture-In-Picture effects in DaVinci Resolve, when all you have is a single rendered movie of the entire timeline?
4 Things To Know About Working With Look Up Tables
Using Luts in a color correction workflow is common, but everything doesn't always worked as planned. Learn 4 ways to work around look up table limitations
DaVinci Resolve - How to Use External Scopes with Video vs Data Levels
Learn how the 'data levels' and 'video levels' Project Setting effects your external scopes when color correcting in DaVinci Resolve.
Overflow: Is There A Right Time To Bring On Help?
Being a busy colorist is a good thing! But when you get too busy, you have to think about how to handle overflow work or when to just say no.
How To Work With Non-Broadcast Frame Sizes in DaVinci Resolve
Are you trying to work with non-HD Frame Sizes in DaVinci Resolve? It's very common for display advertising and this video will show you how to handle it.
From Big Shop To One Man Show - A Workflow To Minimize Downtime
Building a one man workflow to get the maximum out of your time grading.
Working with Camera RAW in Premiere Pro - Part 2
Working with LUTs and Camera Raw in Premiere Pro can be tricky. In this video, learn one workflow that makes it a bit easier.
Getting Grainy: 3 Different OFX Plugins
In this Insight Robbie explores 3 different OFX grain plugins for Resolve from Film Convert, Boris, and GenArts and explains which is his favorite and why
Working with LUTs in Premiere Pro - Part 1
Learn how to color correct with LUTs in Premiere Pro and the Lumetri Panel. Especially if your color correcting with RAW-, Log- or flat- recorded images.
HDR Essentials: Reading The Scopes In DaVinci Resolve
The Waveform & RGB Parade are essential tools for color correction. But when working with HDR footage in Resolve reading them can be slightly confusing.
Getting More When You're Getting Paid Less
In this Insight, learn ways that you get more benefits for your buisiness out of a project even when a client isn't paying you all that much.
Look Inspiration - Getting the 70s TV Inspired Retro Look
There is a time in every colorist’s life when we need to add some retro 70s TV vibes to footage! This insight is based on both creating a parody of…
HDR Essentials - Getting Setup In Premire Pro
HDR video is coming, and coming fast. In this Insight, learn how to get setup and work with HDR video in Premiere Pro's Lumetri Color Panel.
Is DaVinci Resolve Studio on the Mac App Store Worth It?
Is DaVinci Resolve Studio on the Mac App Store worth the $500 upgrade over the free version? Or should you buy the more expensive 'dongled' version?
Building IR LUT Variations In Photoshop
In this Insight learn how to build Infrared type looks in Photoshop & export them for use video grading tools like DaVinci Resolve.
Exploring the Lumetri Color Tools (Part 2)
Understand how the Lumetri Color Tools work in the latest version of Premiere Pro CC. Plus learn about a potential flaw in these tools.
Fixing Cache & Gallery Warning Dialog Boxes
Pesky warning messages about inaccessible cache & still locations in Resolve can be a nusiance. Learn how to fix them in this Insight
Look Inspiration - Colorized Film Look
Dan shares his look and drx files for a Colorized Film Look
From The Mailbag EP 29: HDR Musing & Log Saturation
In this episode, Team MixingLight discusses HDR and best practices for setting saturation levels for log encoded footage
Neat Video 4 - Revisiting The Popular Noise Reduction Plugin
Neat Video is a popular noise reduction plugin for a variety of platforms. In this Insight Robbie explores the plugin now in version 4.
Broken Color Correction Filters in Premiere Pro CC
Do you think it's hard to color correct in Premiere Pro? Learn how broken color correction filters make the task harder than it needs to be.
Edge Sharpening & Denoise Workflow
In this installment of From The Mailbag we discuss how to isolate and sharpen edge details, and discuss a proper video noise reduction workflow
How to Select A Color Correction Plug-in for FCPX
Learn from a professional colorist how to select a color correction plug-in for FCPX. What are main features you should be looking for?
HDR Essentials: What's HDR?
HDR is the 'next big thing' for color grading.In this Insight, get up to speed with two discussions about HDR with industry experts Bram Desmet & Juan Salvo
Christmas Clean Up: Refresh Your System
In this Insight Dan explores some things to think about when it comes to doing a refresh of your system.
From The MailBag Ep 27: The Glossy Look & Edge Sharpening
In this installment of From The Mail Bag, Team Mixing Light discusses what goes into the 'glossy' look of many commericals & how to edge sharpen shots.
RED HDRx Workflow With Resolve
In this Insight, learn the essentials of working with RED HDRx media in DaVinci Resolve to get the most out of an exposure and the look of a shot.
Create Custom Workspaces in PremierePro for Color Grading
Learn how to create custom workspaces for speeding up your color correcting in Premiere Pro CC.
Fighting The Feeling Of Failure
In any creative venture including color correction the feeling of failure is always lurking. Learn how to fight the feeling of failure.
Calibrating To Match: Perceptually Matching Two Monitors
Two monitors may not match even if calibrated to the exact same color and luminance values. Learn how to perceptually match two monitors
Finding Opportunities When Color Correcting
How do you stay creative when you're not feeling creative? Learn how one professional is always finding opportunities when color correcting.
Permanently Adding LUTs To The Lumetri Color Panel
Using LUTs with the Lumetri Color Panel can be tedious.In this Insight learn how to add LUTs permanently to the panel for quick access
Color Correction Breakdown: Solving Problems
In color correction we're solving problems. Sometimes they're handed to us, sometimes they're problems we created. See examples of both.
Tales From The Grading Suite - DP Colorist Communications
Have you ever wondered what it's like to speak to a DP before a job is shot? Dan shares a real world discussion on a tricky job.
Creating a 'Film Look' and Managing Film Grain
Breaking down the color correction for a 'webisode' and creating a 'Film Look'. Plus, ideas for managing film grain.
Resolve Color Management & Raw
Resolve Color Management (RCM) is powerful workflow tool but using it with Raw footage can be slightly confusing. Learn more in this Insight
Delivering Multi-Channel Audio From Resolve
Resolve is a capable finishing tool not just for video but for audio as well. In this Insight, learn how to configure multi-channel output
Anatomy Of A Grading Suite: Design
Team ML gets a lot of questions on who to build a proper grading suite. In this Insight we tackle overall room design, furniture & lighting
Rendering Multiple Projects (And Timelines) At Once!
In this Insight, learn how to leverage DaVinci Resolve's powerful rendering engine to render multiple projects and timelines all at once.
Color correcting raw footage using Camera Raw controls
DaVinci Resolve provides RAW controls for color correcting raw footage. Here are three rules if you want to use those controls.
Organizing the DaVinci Resolve 12 Media Pool
DaVinci Resolve 12 offers several new tools for keeping your Media Pool organizing. Learn how to use them when starting a new project.
Is Changing ISO in Post Production Accurate?
When working with RAW-recorded video in post-production is changing ISO in software the same as doing it in-camera? Click and find out.
Resolve 12 First look: Resolve Color Management
Check out this Insight to learn more about the essential of the new Resolve Color Management (RCM) features of DaVinci Resolve 12
Resolve 12 First Look: Automatic Shot Matching
A most welcomed new feature in Resolve 12 is Automatic Shot Matching. In this Insight, learn how it works and if it's right for your workflow
Overview of the Koji Advance Film Emulation Plug-In
Learn the ins and outs of the Koji Advance Film Emulation Plug-in in this video. Learn how to use it and some of its unique options.
Look Setting Review & Approval With Frame.io
Frame.io provides a ton of tools for collaboration including some great ways for a colorist to interact with their client. Learn more...
Using The EyeHeight Broadcast Video Legalizer Plug-in
File based or software video legalization can be hard. Check out this Insight to see how EyeHeight is making video legalization simple
Creating A Shared DaVinci Resolve Database Server
In this updated Insight learn what gear you'll need and how to properly setup a shared database in DaVInci Resolve.
Using Colorista III in FCPX - Part 2
Learn what a professional colorist thinks of Colorista III - and what's the problem with the current version (1.0.3).
Setting Up X-Keys: A Control Surface Companion
In this video, contributor Josh Petok shows how to setup the X-Keys XK-24. It's a perfect companion to many colorist control surfaces.
Using DaVinci Resolve's Curves To Deconstruct A Look
In this Insight, contributor Josh Petok shows a straight forward but very effective way to use Resolve's curves to deconstruct a look.
Using Post-Clip Grouping As A Timeline Grading Alternative
In this Insight, learn how to use Post-Clip in DaVinci Resolve's grouping behavior as an alternative to timeline level grades
Lens Distortion Removal With Premiere Pro
Action cameras and other wide angle lens can have some pretty severe lens distortion. Check out this Insight to learn how to remove it.
RGB Gamut Errors A Broadcast Colorists Nemesis
In this Insight, learn what RGB Gamut errors are and how to identify them before a broadcaster catches them for you!
Project Candy: Color References Reimagined
In this Insight, Robbie gives an overview of Project Candy from Adobe & how it has the potential to inspire and help with color references.
How to Get Faster at Color Correction by Increasing Your Daily Shot Count
Do you want to color grade more shots in a single working day? Part 3 gives you solid tips for increasing your daily shot count.
Part 2: How to Estimate Time for Color Correction
Explore the 6 'slices' of a color correction session and how we manage our time across them. This lets us bid & quote more accurately.
Getting To Know Lattice
With LUTs so common place in modern color grading sometimes you need to visualize and convert them - Lattice can help!
How to Estimate Time for a Color Correction Session
How long will it take you color correct a 10 minute timeline? In Part 1 of this series, we discuss the anatomy of a color correction session.
Patrick's Shot Matching Workflow
Do you have trouble with shot matching while color correcting video? This tutorial will show you a reproducible workflow for any software.
From The MailBag Episode 23
In this installment of From The MailBag we take a look at file naming and project organization as well as tips for sharpening footage.
From The MailBag Episode 22
In this installment of From The Mailbag, we discuss using grain as an external matte on a still & broadcast safe workflow.
Final Cut Pro X - Color Balance Precision
Do you find it difficult to make precise Final Cut Pro X color balance decisions? This video tutorial will give you ideas for fixing that.
From The Mailbag Episode 21
In this installment of From The Mailbag we explore the idea of a rolling conform in Davinci Resolve and using Dropbox to share databases
Rendering Filtered Timelines in DaVinci Resolve
Rendering filtered timelines in DaVinci Resolve is a two-step process... Learn how to get it done.
A LightRoom LUT Workflow
In this Insight, learn how with help of a simple yet powerful plugin you can export Look Up Tables (LUTs) from Lightroom to use elsewhere.
Color Correction Workflow: Seeing Like Your Client
What's a quick and efficient color correction workflow when collaborating with a client? Part 1 shows you, using Resolve's Grouping feature.
How to Become a DaVinci Resolve Project Preset Ninja
Learn how to 'hack' DaVinci Resolve Project Presets so you can easily share them in other databases - or on someone else's computer.
How to Use Project Presets in DaVinci Resolve, Part 1
If you want to learn how to wield Project Presets in DaVinci Resolve like a ninja, then you must understand Presets—which ain't easy.
Creating Skin Contrast With High/Low Key Techniques
In this Insight, learn how powerful shaping skin contrast around someone's face can be to make a shot more dynamic.
Rediscover The Basics - Advanced Node Operations
When you get into very advanced grading there are even more node operations to worry about. Dan shows you his layout for commercial grading.
Exporting LAB LUTs from Photoshop: Does it work?
Can you make extreme color corrections in LAB color space and export those LAB LUTs from Photoshop and have them work in Davinci Resolve?
Designing a Color Match Workflow (in DaVinci Resolve)
Are you looking for a reliable color match workflow for DaVinci Resolve? Learn how to get the most from Resolve's 'Color Match' feature.
Rediscover The Basics - Color Temperature
Color temperature allows us to control many factors from time of day to adding to the mood of your image by warming or cooling.
From The Mailbag Episode 20
In this From The Mailbag, we cover two GPU questions. Should you upgrade your system or GPU & does GPU debayering for RED footage work?
Rediscover The Basics - Contrast
Its tempting to dive in with many nodes & advanced techniques but spend more time getting your contrast right & you'll love the results
Manual Color Matching in DaVinci Resolve 11
Part 3 of a series on how to use the DaVinci Resolve 11 'Color Match' tool. In this video, learn how to build your own Color Match node.
Using Data Burn-In & Text Layers For Client Notes
Take notes in a grading session? Have bad handwriting? In this Insight learn how to create client notes directly in Resolve with data burn-in
How to Match Shots in Final Cut Pro X - Part 1
Learn how to match shots in Final Cut Pro X using its unique interface. Part 4 of this series on how to color correct in Final Cut Pro X.
Resolve's 'Color Match' Is Easier Using 'Brightness First' Rule
DaVinci Resolve's 'Color Match' feature can be tricky. But if you follow the 'Brightness First' Rule, you'll probably get better results.
Why Is Camera Matching with Color Charts So Hard?
If you've tried to match multiple cameras together using color charts, you've likely found it difficult. What's the problem you're having?
Better Grades In Premiere Pro: The Tonal Range Definition
Premiere Pro has a powerful 3-Way Color corrector but by default its tonal range is narrow. Learn how to get better grades by adjusting it.
From The Mailbag EP 19 Skin Corrections & The Film Look
In this episode of From The Mailbag, the team explores fixing blotchy skin and what goes into a film stock emulation.
Dynamic Project Switching In DaVinci Resolve
Learn about a little known feature in Resolve 11 called Dynamic Project Switching that allows you instantly switch between large projects
Saturation in Final Cut Pro X: Is Your Image Colorful Enough?
How do you know if your images are colorful enough? When's the best time to set your saturation in Final Cut Pro X? Find your answer here!
Why You Need To Dig Deep: Final Cut Pro X Exposure Slider
Understanding the Final Cut Pro X Exposure Slider is critical to knowing how to color correct in Final Cut Pro X. Click and discover: Why?
Creating LUTs From Adobe Photoshop
You've been able to apply lookup tables in Adobe Photoshop for a while, but a new feature gives the ability to export LUTs. Learn how!
MailBag Episode 18:YouTube/Vimeo & SSD For Render Cache
Check out this episode of From The MailBag to learn about grading of Vimeo/YouTube & When to use an SSD For Resolve's Render Cache.
5 Things Keeping You From Becoming A Better Colorist
Everyone wants to get better at their craft. In this Insight learn about how to overcome 5 common barriers to becoming a better colorist
DaVinci Resolve Node Trees for LAB Colorspace
Explore the different types of DaVinci Resolve node trees for LAB colorspace. Should we do all our work in one node? Or multiple nodes?
Adding Some Clarity: 3 Different Methods
The clarity slider in some Adobe apps is a popular way to add a little pop or punch to a shot. Learn 3 methods for emulating this control.
From The Mail Bag Episode 17
In this installment of From The Mailbag, learn about our 25x25 Holiday Marathon & we each discuss our top 2 color related questions.
Final Cut Pro X Color Correction Challenge
What if a professional colorist were required to color correct in Final Cut Pro X (without plug-ins)? We start by exploring Exposure.
Getting To Know The Colorimetry Research CR-100 & CR250
The Colorimetry Research CR-100 & CR250 are two of the most affordable and accurate calibration meters on the market. Learn more...
Being A Supervising Colorist - Tips For Managing Others
Managing other colorists creative work can be challenging. In this Insight, learn key ways to make that process efficient and stress free.
LAB Color in DaVinci Resolve - Foundations Part 2
In this video, transfer those Photoshop skills color correcting LAB color in DaVinci Resolve - plus how the tools don't translate directly.
Footage Quality Control - When To Reject Footage
Footage Quality Control in a modern file based world can be tricky. Dan shares his advice on how and when to reject source material.
Building A Visual LUT Library With DaVinci Resolve
Learn how to take a list of Look Up Tables in Resolve and make it into a visual LUT Library. This workflow can be used in any version of Resolve before Resolve 15 (which introduced a built-in LUT Library).
Using Divergent Media's ScopeBox As Digital Recorder
Divergent Media's ScopeBox not only provides high quality customizable scopes but a full fledge digital recorder for capturing content.
DaVinci Resolve: Consolidate Clips Function
DaVinci Resolve's renamed Consolidate Clips function can now work with Quicktime and MXF files. Learn how to use this command.
Automatic Database Management
Tired of manually backing up your Resolve? Using some handy scripts Dan shows you how to fully automate the process
Remote Versions: Sharing Grades Between Multiple Timelines
If you have to color correct multiple versions of a timeline, DaVinci Resolve's Remote Versions is a feature you need to know.
Throwing A Change Up - Different Tools For New Results
It's easy to be stagnant always using the same tools. In this Insight learn how different tools can help you break a creative block
Color Balance Skies and Shot Matching
Do you need to color balance every shot in your video? What are the best strategies to color balance and enhance gray skies? Listen & learn.
Mixing Light From The MailBag Ep 14
In this episode of From The MailBag learn about what to do when you have no client direction & how to achieve that national spot look
Evaluating A Project - What Will A Grade Really Take?
Evaluating a project so you know how much time it will take is an essential part of color grading. Check out this Insight for more key tips.
Using The Smart Render Cache in DaVinci Resolve 11
Part 2 in the series, learn how the smart render cache can speed up your workflow by caching footage, effects and grades automatically .
Grading Master Clips in Adobe SpeedGrade & Premiere Pro
Learn how to leverage grading a master clip in SpeedGrade & Premiere Pro. By using master clips you can speed up your grading dramatically.
Color Grading in Groups with DaVinci Resolve 11
Group grading in Resolve 11 has been totally revised.In this Insight learn how to get started & how to use group grading in your own projects
Working With The Clone Tool
Working With The Clone Tool in Resolve 11. Dan will be showing you how to paint and clone out elements of your footage.
How to Use Manual Color Trace in DaVinci Resolve
This is Part 3 in a series on using DaVinci Resolve's Color Trace function. In this final movie we explore the Manual Color Trace mode.
How to Compress Video for YouTube
How do the pros compress video for YouTube at the highest quality? Listen to this interview with specialist Jeff Greenberg.
Legalizing With No Legalizer & R3D Trimming
In this installment of From The Mailbag we discuss two questions about video legalization & using R3D trimming in Resolve with Remote Grades
Using Color Trace in DaVinci Resolve - Part 2
This is Part 2 in our series on how to use Color Trace in DaVinci Resolve. This is a more advanced example of Automatic Color Trace.
Narrative Grading - Time Of Day
In this insight dan takes you through a journey of setting the time of day in a scene. The flow of the story is key when setting a time.
Best Exposure From Your Raw Files
Working With raw files allows you to to get the best possible results with your footage. Lets start with getting the best exposure
Using Adobe Media Encoder for Dailies & Screeners
In this Insight, learn how to apply Looks/LUTs & burn-in metadata for dailies & screener workflows using Adobe Media Encoder.
From The MailBag Episode 11
In this episode of From The Mailbag learn about our picks for top reference monitors and how to build a calibration system on a budget
Using Color Trace to Copy Color Grades in DaVinci Resolve - Part 1
Learn how to copy color corrections from one timeline to another timeline using Color Trace in DaVinci Resolve.
Masking and Tracking in Premiere Pro CC
Learn techniques for masking and tracking in Premiere Pro CC in this color correction tutorial from a professional colorist.
Photochemical Color Timing + Cinematographers and Colorists
What is photochemical color timing? What is the role of the cinematographer while color correcting? Learn what three colorists think.
Using Dropbox for Multiple DaVinci Resolve Project Backups and Versions
How to use Dropbox for multiple backups of your DaVinci Resolve projects.
Using Annotations In SpeedGrade CC
Annotations in Adobe SpeedGrade are a powerful way to make notes directly on footage while you're grading. Learn how Annotations work.
Broadcast Legalization Part 5 - Hard Clipping in DaVinci Resolve
Learn how Hard Clipping in DaVinci Resolve can help you legalize your video for Broadcast. And the dangers of using it indiscriminately.
Legalizing Video with DaVinci Resolve
Legalizing Video with DaVinci Resolve can be done in several ways. In this video we show you how to do it Shot-by-Shot.
Legalizing Video With The Harris DL860
A hardware video legalizer like the Harris DL860 does a much better job than software legalization. Learn more about how this unit works.
The Unsupervised Session: Tips For Offsite Client Review
When color grading, unsupervised sessions can be difficult. In this Insight, learn strategies and techniques to handle these types sessions.
Legalizing Video Levels in Premiere Pro CC
If you're wondering how to legalize video levels in Premiere Pro CC, this article is for you. Part of a series on legalizing video levels.
Legalizing Video in SpeedGrade CC Part 1
If you're wondering how to legalize video in Speedgrade CC, this video will show you.
Commercial Workflow Part 2: Leveraging The Master Session
Learn how ripple your color corrections through multiple timelines in DaVinci Resolve using the power of the Master Session.
Multiple Aspect Ratios
Learn an innovative approach to framing filmed images for multiple aspect ratios. Also - how to view these framings inside DaVinci Resolve.
Mailbag: Resolve vs SpeedGrade & Managing Versions In Resolve
In this Episode Of From The Mailbag, we discuss the pros and cons of Resolve vs SpeedGrade. As well as how to manage versions in Resolve.
Six Approaches for Primary Color Corrections (featuring Davinci Resolve)
The first step in color correction is to do your 'primary correction'. What controls should you touch first? This video explores 6 options.
Commercial Workflow : Labeling And Ingest
Have you ever wondered how other colorists organise and run their jobs? Now is your chance to see a real commercial workflow in action.
Dealing With Timecode : When The Rushes And Proxies Don't Match
When the rushes and Proxies don't match due to lack of timecode conforming in Resolve can be a nightmare. Here's how I approach that subject
Mailbag: Beating A Creative Funk & Consolidating Reels
In this episode of From The Mail Bag we discuss getting out of creative funk & consolidating a multi-reel project in Resolve.
Podcast: Mixing Light In 2014 + Grading A Single-Take Film
In this episode of From The Mail Bag we discuss what's in store for Mixing Light in 2014 & discuss how to grade a film shot in one take.
Understanding the Arri LUT Generator: Do's and Don'ts
Learn how to create LUTs for the Alexa using the official Arri LUT Generator. Develop your own set of best practices when working with this tool.
How To Work With Arri Alexa LUTs, Part 1: In Action
Are you confused about how to use Arri Alexa LUTs on your projects? Learn one approach to using them creatively, based on Arri's own LUT Generator.
Basic Visual Effects & Online Editing in DaVinci Resolve 10
Learn how to perform basic online editing tasks in DaVinci Resolve 10. This tutorial looks at compositing, titles and Sapphire plug-ins.
How To Use The Premiere Pro Title Tool To Color Correct with Shapes
Using shapes to isolate areas of your image for color correction is a key color correction skill. Learn how to do this using the Premiere Pro Title Tool!
Color Correcting A Fake Film Trailer: Grading RED Dragon Footage
In this installment of the Fake Film Trailer, I start color correcting Red Dragon footage. It's my first time working with this camera.
Color Correction Time Management: Grading in Passes
It's easy to get lost in the weeds when color correcting. Learn a Color Correction Time Management technique that keeps you from missing deadlines!
Scene Cut Detect (& Preconformed Workflows): Dealing with dissolves
When using Scene Cut Detect (or Preconforming) in DaVinci Resolve, how do you deal with Dissolves? Watch the video and learn the very simple answer.
How to Prepare A Film Trailer For Color Correction
Learn how a professional colorist evaluates a project (film trailer) before a single shot is color corrected - a critical step for smooth sessions.
How to Emulate the Clarity Slider + Color Correcting in VFX Workflows
Three professional colorists discuss how to emulate LightRoom's Clarity Slider in DaVinci Resolve. Plus, where color correction fits in VFX workflows.
How to Set Up a Legacy DaVinci Resolve Shared Database
Learn how to set up a DaVinci Resolve shared database in this step-by-step tutorial using the Command-Line interface.