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Baselight Inspired: Resolve’s Color Warper For Look Development
Colorist Jamie Dickinson is inspired by Baselight's Chromogen 'stages' paradigm of look development and applies it to Resolve's Color Warper.
A Career Empowering Colorists: Talking with Peter Postma
Peter Postma of FilmLight shares his involvement in creating foundational color grading tools and standards at Kodak and FilmLight.
Connecting the APIs: From DaVinci Resolve To OpenAI, Part 2
Igor Riđanović shows you how to create a YouTube summary from a Resolve timeline with the APIs from DaVinci Resolve and OpenAI using ChatGPT.
Fusion Alpha Channel Manipulations 201: Advanced Tips & Tricks
VFX artist Bernd Klimm shares tips for creating advanced custom edge masks for better compositing and light effects in Resolve Fusion.
Connecting DaVinci Resolve and OpenAI - Part 1
Using a little bit of Python code, you'll learn the fundamentals for connecting OpenAI and DaVinci Resolve using their APIs.
Animating Fusion Titles - Polishing Your Shared Title Templates
In Part 3, VFX artist Bernd Klimm customizes a shareable animated Fusion title template with expression modifiers, user controls, and macros!
Fusion Monitoring: Accurately Monitoring DaVinci Wide Gamut
Does saturation on Resolve's Fusion look wrong when working color-managed? Colorist Daria Fissoun breaks it down and offers three fixes.
Fusion-Photoshop Painting/Cleaning Workflow – Part 2
VFX artist Bernd Klimm continues his Photoshop to Fusion workflow with tips and tricks for removing an object using painting techniques.
Using The ResolveFX Relight Plugin With The Fusion Page
Learn to accelerate the Relight ResolveFX by feeding normals maps from CG renders, making it a powerhouse effect for VFX and CGI workflows.
Skill Up: Fusion-Photoshop Painting/Cleaning Workflow - Part 1
VFX artist Bernd Klimm imports one frame of a painted Photoshop still (removing an object) and shows how to composite it into a moving image.
Creatively Manipulating Node-Based ColorSpace and Gamma Tags
Learn colorist Cullen Kelly’s favorite uses for node-based Color Space and Gamma context menus available within individual nodes in Resolve.
Expert Tips For Rotoscoping in DaVinci Resolve Fusion
Bernd Klimm teaches rotoscoping fundamentals by analyzing movement and creating shapes that can be animated efficiently and consistently.
Ideas For Using The Resolve 18.5 Relight Effect
Joey D'Anna shows how to integrate the Relight ResolveFX plugin into fixed node trees to maximize its usefulness, capability, and performance.
Learn How To Build Your Custom Film Print ODT
Cullen Kelly shows you how to build a custom transform by combining a film print LUT with basic color science - to add style to images.
Deep Dive Into A Complex Fusion Fuse Effect For The Edit Page
Igor Ridanovic shows how to write a reasonably complex Fuse, and save it as a Fusion Macro to access it in Resolve's Edit Page Effects panel.
How To Install And Evaluate The Upcoming ACES 2.0 ODT
Cullen Kelly shows how you can explore the candidate ACES 2.0 output transforms. Learn the differences compared to the current ACES release.
How To Upgrade Your GoPro Hero11 To A 10-bit Log Workflow
Learn to leverage GoPro labs firmware and Resolve colorspace transforms to color manage footage from the new Hero 11 cameras in 10 bit log.
Refining A Fusion Title Animation & Creating A Reusable Template
Learn how to use shading layers, add intro/outro animations, and package your Fusion animation as a *.drfx template for easy sharing.
A Deep Dive Into Creating Fuse Effects for DaVinci Resolve
Colorist, finisher, scripting/automation developer Igor Riđanović begins a 2-part dive into creating custom Fuse FX for complicated effects.
Substituting ACES ADX for Cineon Film Log With Film Looks LUTs
Explore how to get better results from Resolve’s Film Looks LUTs by leveraging the ACES ADX standard — even if you're not grading in ACES!
Using The Surface Tracker On Complex Power Window Operations
Learn how to apply a VFX-style workflow to color grading (replacing the tedious operation of tracking multiple power windows independently).