Loading...
How To Professionally Work Between Multiple Editing Platforms
Special Guests Scott Simmons and Jonny Elwyn join Joey D'Anna and Patrick Inhofer to discuss moving between NLEs as a professional editor.
How To Manage Versions for VFX & Graphics in DaVinci Resolve
If you have many graphics or visual effects shots that might be replaced at the last minute, learn the value of Resolve's 'Take Selector'.
Controlling The Eye By Relighting With Motivated Power Windows
Building on a Cullen Kelly Insight, colorist Patrick Inhofer demos leveling up the concept of a 'motivated vignette' for scene relighting.
Which Consumer Hard Drives Are Best For Post Production?
If you’re a small shop or solo, using correct hard drive metrics ensures you’re buying the performance you need (and buying smartly).
Stabilizing Shaky Footage in Baselight LOOK
In Part 17 of our series, Luke Ross shows how to stabilize footage in Baselight Student / LOOK using the Area and 2-point trackers.
How do ‘Motivated Vignettes’ improve your color grading?
Colorist Cullen Kelly explores vignettes: What they do, when they’re appropriate, & how to deploy them in a motivated and photographic manner?
NEW: DaVinci Resolve Courses, Credits, All-Access Memberships
Announcing: 5 new DaVinci Resolve courses, a credit system allowing members to unlock them, and an upcoming 'All-Access' membership level!
Advanced Optical Flow Techniques For Image Repair
Learn to use optical flow for more than speed changes. In this Insight, fix a corrupt frame and repair archival footage pull-down artifacts.
Intro to Resolve's Collaborative Workflow - LucidLink and Proxies
Get started with DaVinci Resolve 18's Cloud-based Collaboration workflow. In Part 1, begin sharing media and projects with a remote team.
The Care And Feeding Of A Post Production YouTube Channel
Why do professionals create and maintain a YouTube channel? How do they use it to support their business, and what is the payoff?
How To Use The Sapphire S_Ultraglow OpenFX
In Part 2 of Jason Bowdach's series on glow effects, get a close look at the Sapphire S_UltraGlow and the additional options it offers.
How To Compare Grades With Clients In Baselight LOOK
In Part 16 of our 'Learning Baselight' series, Luke Ross compares grade versions using Baselight's powerful 'cursor' and Jobs manager.
Contrast Adjustments: Which Is The Right Tool For You?
In Part 3 of Cullen Kelly's 'Flexing Fundamentals' series, learn how to think about organizing contrast adjustments to improve your results.
Remote Media Sharing & Collaboration - Featuring Hedge's Postlab
Mixing Light Contributors talk with Hedge.video's Isaac Terronez about affordable remote collaboration using Postlab and Postlab Drive.
Using Color Grading To Tell A Decades-Long Story
Colorist Joey D'Anna breaks down his color grade of an indie feature - showing how he executed the goals & technical challenges of this film.
Edit Faster With 10 Keyboard Tips & Tricks For DaVinci Resolve
Learn 10 essential keyboard shortcuts you can bind on the DaVinci Resolve edit page to speed up your editing workflow.
Learning To Work Quickly Using The 'Glow' Resolve FX
Glow effects are versatile - but you can waste time fiddling with their controls. Learn how to work with the Glow Resolve FX, intentionally.
How To Upgrade Your Contrast, Pivot, Lift, and Gain Adjustments
Learn why colorist Cullen Kelly loves Contrast-Pivot for his contrast adjustments - and how you can upgrade them for more nuanced control.
Managing Timelines For Efficient Grading Operations In Baselight
In Baselight Student, learn how to copy and paste grades to shots & scenes, including the ‘intelligent paste’ & using the Playback Filter.
Extending the life of old computers? Becoming a Contributor?
This lively Office Hours answers questions on extending the life of an old computer, becoming a Contributor, and impressions of Resolve 18.
Film Print Emulation: A Deep Dive Into The Filmbox OFX Plugin
In this deep dive into the Filmbox OFX plugin learn its basic operation, features, and how it compares to alternate film print emulators.