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Why You Need to Master the 'Frame Size' Option in Premiere Pro CC

If you send your timelines from Premiere Pro CC to DaVinci Resolve then you know resizes often fail. Your 'Frame Size' selection is the key.

Color Correction Gear Head: January 2017 Edition

The Color Correction Gear Head Series is back! This time around we cover a video router, a couple sets of adapters, and a streaming solution.

An Overview of the Logitech G13 Gaming Keypad For Use By Colorists

Get an overview of how the Logitech G13 Gaming keypad works - with ideas on how it can speed up your video post-production workflow.

Sky Replacement - Is It An Essential Skill For Colorists?

If a client asks for a sky replacement; as a colourist, should you? If so, how? Plus a tip on where to start when evaluating a sequence.

Why We Love LUTs and How To Replace Your LUT Addiction

Most of us love to use LUTs behind closed doors. Dan shares his thoughts on why and how to break out of needing LUTs

Using DaVinci Resolve's 'Offline Reference Clip' to Conform Timelines

Learn how to use the 'Offline Reference Clip' to see what the final approved timeline looked like - while color correcting in DaVinci Resolve.

From The Mailbag EP 34:Talking GPUs & Tech We Can't/Can Live WIthout

The Team discusses GPUs for the colorist and how to select one. Plus, tech we've discovered we can live without, and tech we can't.

Creating Haze To Add Depth To Your Image Without Using Shapes

Using Haze as a grading tool is an alternative method to using Vignettes. Making things lower contrast helps them sit back in the image.

How To Quickly Generate Color Correction Ideas At The Start Of A Session

Are you having problems deciding how to attack color correcting your images? Learn how to quickly generate ideas in this video.

Finishing In Resolve - Reframing, Blanking & Delivering

Reframing in Resolve as become common practice. Dan shares his approach to finishing in the box and shares his tips and tricks

Making The Move From Mac To A Windows PC: Part 2

In part 2 of this ongoing series we take a look at popular Windows PC turn-key solutions & the essentials of PC hardware components.

Resolve Collect

If you're having trouble with DaVinci Resolve's built-in Media Manager then check out this video featuring 'Resolve Collect'.

Creating the Classic Black and White Look By Thinking Like A Colorist

Dan shares the skills he learned in the darkroom and how he applies them to grading black and white in DaVinci Resolve

The Marathon Moves Into January & A Preview Of Mixing Light 2.0

We discuss our Insights Marathon moving to January and what to expect. Plus, we reveal plans for the next iteration of our website!

Managing Media in DaVinci Resolve

Part of a larger series, we finish conforming a timeline and start managing media off a client hard drive onto our RAID, in DaVinci Resolve.

New Year Resolutions 2017: Improving Your Business & Color Grading

In this Insight, Robbie shares a number of new year resolutions for potentially improving your business & color grading.

Conforming In DaVinci Resolve - Solving Sync & Frame Rate Problems

When importing a timeline & conforming in DaVinci Resolve, problems occur. See how we methodically solve frame rate & sync problems.

An Interview with Colorist Ayumi Ashley

In this episode of the colorist podcast Josh talks to colorist Ayumi Ashley from Mission Film & Design about her work & career

Thinking Like A Colorist: Breaking Down the Western Scene

Download the footage and follow along as professional Colorist Dan Moran, CSI color corrects a classic shot in the style of a Hollywood Western Look.

How to Fix 'Reel Conflicts' and 'Force Conform' Errors in DaVinci Resolve

When importing a timeline into DaVinci Resolve, learn how to find and solve 'reel conflicts'. Plus, learn to solve a 'Force Conform' error.

Exploring XML Conform Options in DaVinci Resolve

Importing XMLs into DaVinci Resolve can be frustrating. Sometimes, a change in Resolve's 'Conform Options' settings can save the day (or not).

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