Loading...
Colorist Podcast EP 021:Shane Mario Ruggieri
In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!
How Do You Choose A 4k Reference Monitor For Color Grading?
The Team discusses the pros/cons of 4k monitoring. We explore new offerings from Flanders Scientific including the XM650U and XM310K.
Demystifying Contrast and Brightness Calibration Test Images
In our reference display calibration series we've been using a specific set of calibration test images. But two test images (used to precalibrate our Contrast and Brightness settings) generate a lot of confusion. Get unconfused in this Insight.
First Look: FSI XM650U UHD Monitor
In this special Insight, Bram Desmet CEO & General Manager stops by Robbie's studio to take a look at the brand new FSI XM650U UHD OLED HDR Monitor. Learn about the essential design of the monitor, its capabilities and how it might help you.
Is Your Reference Display Input Properly Set To Data Levels Or Video Levels?
If you have a broadcast reference monitor for editing and color correction then you need to make sure it's properly processing your images. Learn how to know if you have a mismatch in data levels with your editing or color correction software.
How To Color Grade Full Range for Data Level Broadcast Delivery?
A member asks a question about working in Full Range but delivering a video rendered to legal/broadcast levels. We work through the thinking.
From The Grading Suite: From Short Form To Reality
Dan shares the tale of his attempt at grading long-form reality television after spending 10 years being a pampered commercial colorist.
Learning Silverstack Part 2: Overcoming the User Interface
In this second insight of a series with Pomfort Silverstack, you take a first-contact look at the user interface to overcome the initial fear of learning a new software. Explore the various layouts and workspaces available to better understand how you navigate the program.
Being Flexible As A DIT: The Always Evolving DIT Cart
We all know that a good cart is essential to a DIT's kit. But what if there is no room for your cart? What options do you have when size becomes a cause for concern? Get a list of differently-sized DIT Carts for odd situations.
Calibrating A Reference Display Without Using LUTs Part 2
Learn how to calibrate your video reference monitor if you can't load a calibration Look Up Table (LUT) into the display, with CalMAN Studio. It's simple. It's fast. But it does require a professional display to be fully successful.
Grading A Short Film Part 2 - Testing The Feel Of The Footage
Dan shares his assessment of how to get the feel of the footage before you speak to the director. It helps when you can be upfront about what is and isn't possible.
Precalibrating A Reference Display (without using LUTs) Part 1
In this CalMAN Studio series you've learned how to calibrate a video reference display using Look Up Tables (LUTs). Not every display supports internal LUTs. If you don't have (or want) an external LUT box then what do you do then? Watch and learn.
Revisiting The Judd Modification When Calibrating OLED Displays
Team Mixing Light answers a member question about using the Judd Modification for an OLED reference monitor. What is it? When to use it?
Getting Sh*t Done: How To Do More And Have It All
Do you want to cram a ton of productivity into your life? Get insight into how to do that from a highly productive post professional.Get tips and strategies to maximize your down time or add something to your life you never had time for.
Telestream Switch: A Media Player For Pros?
QC and media inspection are an essential part of 'finishing' process. In this Insight, Robbie shares his experience with Telestream Switch which is a full featured media player, inspector and QC tool.
Grading A Short Film Part 1 - Download The Footage
Dan is excited to launch a new series on Mixing Light that will feature a briefing from the real director of the project. In this intro Insight, download some RED 8k footage to attempt a grade before getting creative brief from the client.
Colorist Podcast EP 020: Ian Vertovec
In the first installment of the Colorist Podcast for 2018, Josh sits down with well-known colorist Ian Vertovec from Light Iron. They discuss Ian's work, ACES, HDR, VFX workflow and much more!
Elsewhere On the Web... Insights You Shouldn't Miss 'Out There'
Our focus in our Insights Color Correction Library is on creating original content. But sometimes we see original thoughts on other websites that you need to read. In this post, we share a few of those don't-miss insights from the internet.
Talking About and Understanding Dolby Vision Color Grading
Building on Robbie's recent articles, Pat and Dan ask questions about workflow and Robbie's recent trip to Dolby in Burbank, CA.
Using Denoiser III On Challenging Footage (Compared to Neat Video)
Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.
On The Road: How to Work Internationally As A Colorist
As post production becomes increasingly decentralized, there are growing opportunities for us to take our talents and work abroad. This Insight offers first-hand wisdom from editors and colorists all over the world, working internationally.