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How To Extract A LUT's Split-Tone Component Using DaVinci Resolve

Learn how to isolate the color impact of a LUT from its luma component to craft the image to your preferences, all within DaVinci Resolve.

Understanding Baselight Student's Colour Management Framework

In Part 8 of our series, learn the three colour space options that are essential to correctly colour grading in Baselight Student.

Colourlab Ai - Working In A Color Managed Workflow

In Part 3 of this series, Jason Bowdach demonstrates how to use Colourlab Ai in a color-managed workflow in Resolve and shows new features.

Office Hours LIVE! - ACES Color Management Using Nodes (in Resolve)

Join colorist Joey D'Anna as he answers node-based color management strategies for ACES and RCM workflows (including groups and shared nodes).

Build Your Own Qualifier In HSL Color Space Using Curves (In Resolve)

Learn an alternate method for creating masks limiting adjustments to particular luminance regions, using Curves and Splitter/Combiner nodes.

How To Organize Media Using the 'Shots View' In Baselight Student

Learn essential features of Baselight's 'Shots View' to prepare a scene for grading, including the 'Group Grading' hotkey for bulk changes.

Joey’s Custom Workshop - Two Useful Scripts And A Fusion Effect

Colorist Joey D’Anna shares with you new custom tools for batch rendering, automatic backups, and a 3D motion control template.

Resolve Color Warper Tips Part 1 - Pin Patterns Within Fixed Node Trees

Learn how to build Color Warper 'Pin Patterns' for flexible saturation fixes in DaVinci Resolve and integrating them into fixed node trees.

Learning Baselight Student – Conforming with the Scene Detect Tool

Luke Ross shows you how to add edits into a single video file, breaking it into individual shots for easy color grading in Baselight Student.

Building A Subtractive Saturation Node Tree In DaVinci Resolve

'Subtractive saturation' is a hot topic with colorists. Learn how to manually build this tool in DaVinci Resolve for more natural results.

Office Hours Live Stream - Color Management (and much more)

This is our first Office Hours Livestream. Four Mixing Light Contributors take and answer questions from members in a livestream.

Mixing Light Member Update - January 2022

Mixing Light's new CEO shares the changes that are being made to the service, and the reasoning behind these changes.

Looking Forward To 2022 - Improving Myself, My Grading, My Business

Colorist Robbie Carman looks forward to 2022 and the steps he's to improve his color grading skills, business, and personal well-being.

Baselight Student – Importing Media Using The FLUX Manage Viewer

Learn how to import media, bookmark folders, preview and edit footage into a sequence, using the FLUX viewer. Plus - recovering from a crash.

Dolby Vision - Custom ACES SDR to HDR Part 4 - Deliverables And QC

In Part 4, learn how to QC and deliver your Dolby Vision HDR and SDR masters, including Video- or Data- level settings for ProRes exports.

Learning Baselight Student - Setting Up Your First Scene

In Part 4, dig deeper into setting up a Baselight 'Scene'. Some options can't be changed later and others will force your media offline.

Custom ACES SDR to HDR Part 3 - Dolby Vision Trims

Learn how to use the original SDR color grade as a reference for a new SDR Dolby Vision trim from an HDR re-master (gulp!)!

Live Call - Coding DCTLs Wrap-Up Discussion with Cullen Kelly

Cullen Kelly wraps his 10-part intro series about Coding DCTL. It's a live Q&A session answering questions, while Cullen learns something new!

Learning Baselight Student - Understanding The User Interface

This Insight provides an orientation on the Baselight Student user interface. Plus, learn the terms Host, Job, Scene as used by Baselight.

Announcement - Mixing Light Is Evolving

Mixing Light announces a change of ownership with Patrick moving up as owner/CEO as Robbie and Dan step away. Get the full story.

Elsewhere On The Web: Netflix Recommended Displays (and more)

This series returns with stories on Netflix recommended displays; being a better colorist; color harmonies; and note-taking.

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