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Membership Update - Connecting Us Through Forums, Email, And Slack

Our member-to-member forums are live! Learn how to stay connected with the community and how to access the Slack Forum Notify system.

DIY - Virtualizing Your Networked Resolve Database Server On Linux

Learn how to install and configure Postrgres database servers in a Linux virtual machine across an internal network for DaVinci Resolve.

Moving timelines into DaVinci Resolve Using EDLs - More Tips and Tricks

50 years later, the simple EDL is still useful for sharing timelines! Get more tips and tricks on integrating EDLs in colour managed projects.

Film Print Emulation: Breaking Down PixelTools 'Film Lab PowerGrades'

Continue developing your critical eye for evaluating Film Print Emulations (FPEs) by breaking down Pixel Tools Post's 'Film Lab PowerGrades'.

Creative Grading In Baselight - Adding Grain, LUTs, And Diffusion

In Part 11 of 'Learning Baselight Student', Luke Ross teaches how to stylize your images with popular techniques and customizable tools.

Extracting Only The Hue Or Saturation of a LUT using DaVinci Resolve

Learn how to extract the hue and/or saturation shifts of a 3D LUT, without getting stuck with the LUT's accompanying contrast adjustment.

The HDR Palette One Year Later & Selling Your Project Files: Good Ideas?

Team Mixing Light, in a live conference call, takes member questions on Resolve's HDR palette and the practice of handing over project files.

Color Management For Preconformed Workflows With EDL Clip Names

Using Resolve's Edit Index and EDL comments, you can prepare a preconformed timeline for color management much easier than you think.

Why Are Film Print Emulation LUTs Special (and how to use them)?

In this new series, build the foundation to evaluate & implement ANY Film Print Emulation (FPE) - with the Kodak 2382 film stock as baseline.

An Overview Of The Mind-Blending Control Panel In Baselight Student

Luke Ross teaches you how to use Blending Strips in the free Baselight Student. Plus, go down the rabbit hole of the Blending Control Panel.

NAS, Security, Archival Footage, and HDR - An Office Hours Discussion

Team Mixing Light discusses member questions including: TrueNAS storage, archival footage artifacts, budget HDR monitoring, and security.

Creating And Evaluating PowerGrade Tools - Tips and Tricks

Colorist Jason Bowdach teaches you his approach to developing and evaluating technical PowerGrades (and how it helps your creative grading).

DaVinci Resolve 17.4.5 - Custom YRGB Output Color Spaces

Colorist Joey D’Anna explains why the new Output color space setting in DaVinci YRGB projects is a great tool for node based color management.

Investigating Fusion Connect for Avid Media Composer - Does It Work?

Welcome Arthur Ditner as a new Mixing Light Contributor! Learn about Fusion Connect with Avid Media Composer - its strengths and limitations.

Color Warper Tips Part 2 - Migrating Off Curves in DaVinci Resolve

Colorist Patrick Inhofer shares how he modified his approach to Resolve's Color Warper - and now rarely uses 'Hue vs' and 'Sat vs' curves.

Colour Grading 101 In Baselight Student - Primary Color Correction Layers

In Part 9, you are ready to start color correcting! Learn how Baselight arranges your corrections using and interacting with layers.

Color Correction Gear Head - Stepping Into 2022 With New Hardware

Colorist Joey D'Anna shares his thoughts on adding the Elgato Stream Deck pedal and Xencelabs Quick Keys to his color grading suite.

How To Extract A LUT's Split-Tone Component Using DaVinci Resolve

Learn how to isolate the color impact of a LUT from its luma component to craft the image to your preferences, all within DaVinci Resolve.

Understanding Baselight Student's Colour Management Framework

In Part 8 of our series, learn the three colour space options that are essential to correctly colour grading in Baselight Student.

Colourlab Ai - Working In A Color Managed Workflow

In Part 3 of this series, Jason Bowdach demonstrates how to use Colourlab Ai in a color-managed workflow in Resolve and shows new features.

Office Hours LIVE! - ACES Color Management Using Nodes (in Resolve)

Join colorist Joey D'Anna as he answers node-based color management strategies for ACES and RCM workflows (including groups and shared nodes).

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